A Quote by Jerry Harrison

Brian Eno taught us how to use the Recording Studio as an instrument. — © Jerry Harrison
Brian Eno taught us how to use the Recording Studio as an instrument.
Imagine if every airport would blast Brian Eno. I bet going through security wouldn't be as difficult. I can't imagine someone being aggressive with me with Brian Eno music pumping through the terminals at LAX.
I am a big Brian Eno fan - the first few Brian Eno records are just absolute gibberish and he came up with a lot of lyrics by writing down loads and loads of random sentences and streams, and I find meaning in that music, even though he'd probably say it's absolute gibberish.
If you had a sign above every studio door saying ‘This Studio is a Musical Instrument’ it would make such a different approach to recording.
I don't care if it's Dr. Dre or Dr. Luke or Brian Eno. When you're in a studio and making music together, it becomes pretty apparent if you see eye to eye.
Brian Auger is a superb technician on his instrument, but he also plays with feeling that is a rarity. I am looking forward in recording with him in the near future.
I admire Brian Eno so much in how he seems to push the idea of less being more - his touch is to crack open a window and let the light in.
To me, finding sounds, or even recording, is a compositional process. The studio is kind of an instrument.
Technology was changing just as we were getting started. You had these records by people like David Bowie and Talking Heads and Brian Eno that took production into a whole new direction. That really influenced us, and pushed us to find that early sound we had.
My instrument is the studio. When I play my instrument, I'm creating music using the studio. All the other instruments serve it.
I think it's great that people now have access to Pro Tools and other recording software at home. I've never understood how anyone could be comfortable in a recording studio
I also have a recording studio that I use to produce bands.
The only time that I've adopted characterization again since that point, for my own albums, has been an album called "Outside" that I did with Brian Eno.
Almost all the producers I know and dig, like Quincy Jones or Brian Eno, are really musicians first. I'm a composer, an orchestrator, an arranger and a musician first. I know how to write and rewrite songs, and the genius is really in the rewriting.
I now have a home recording studio, which I can operate entirely on my own, as well as a portable version of the same which allows me to record anywhere I like and simply swap out the hard drives for use in the home studio.
I can't think of any musician or producer who has influenced me more than Brian Eno. From when he was in Roxy Music, producing Devo, the Talking Heads and My Life in the Bush of Ghosts.
David Bowie worked with Brian Eno and dressed up in extraordinary clothes, but he was also a brilliant songwriter who captured the thoughts of a generation. He was hugely successful, without compromise.
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