A Quote by Jerry Lee Lewis
My momma always said, 'You and Elvis are pretty good, but y'all ain't no Chuck Berry.
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There would be no Rock and Roll without Ike Turner, James Brown, Chuck Berry, Fats Domino, Allen Toussaint, etc. Fake ghetto books and fake ghetto music. Elvis Presley, whom they idol, is merely a karaoke makeover of James Brown and Chuck Berry.
I said if you want to be Keith Richards, you've got to listen to Bo Diddley and Chuck Berry. Then I thought, "What did Bo Diddley and Chuck Berry listen to?" I said, "They listened to Howlin' Wolf and Muddy Waters." Well who'd they listen to? They listened to Robert Johnson. I said, "Ok, we'll start with that."
This is no condemnation of Chuck Berry, who I greatly admire. But Chuck Berry's music will not translate as well to orchestration because of its very three-chord rock 'n' roll nature. It is the music of the artists that are more pretentious, pompous or closer to the kind of big dramatic stylings that orchestras are good with.
We would not have rock and roll without Chuck Berry, and when I first heard Chuck Berry, I fell in love with that music, and when I saw him, I changed my whole career trajectory that I was on as a kid.
Elvis may have fueled rock & roll's imagery, but Chuck Berry was its heartbeat and original mindset.
When I was in high school in the '50s, all pop music - Elvis, Chuck Berry, Little Richard - was aimed at teenagers. I loved that stuff.
My first guitar was a Gretsch 6120, and I just loved listening to artists like Elvis, Chuck Berry and Stray Cats.
I watched Elvis Presley become - I listened to Elvis Presley. I watched Chuck Berry become. I listened to Little Richard. I heard that music, and it was part of my upbringing.
The first rock stars were incredibly theatrical. Little Richard and Chuck Berry and Elvis Presley - they were theater artists.
Those original, black, spirited, defiant, rebellious musical masters. Chuck Berry was one of the first masters of Les Paul's new electric guitar; he pretty much laid down the gauntlet, and I don't think anybody's ever beat him since. Way before the British Invasion, I was tuned into the black guys that created the British Invasion. Without Howlin' Wolf, Muddy Waters, Robert Johnson, Lightnin' Hopkins, Bo Diddley, Chuck Berry and the Motown hits, there would be no Beatles.
As a kid, I loved any guitarists, whether it was Elvis Presley, Lonnie Donegan, Chuck Berry or even the cowboy guitarists like Gene Autry and Roy Rogers. The image of the guitar appealed to me.
Not to be mean about it, but some great rock and rollers, like Bo Diddley and Chuck Berry, are pretty one-dimensional.
Over the years, I've come to realize that writing 'I Ain't Living Long Like This' was an exercise in combined musical influence, mostly that of Hank Williams, Chuck Berry, Elvis Presley, Jerry Lee Lewis, the Beatles, and Bob Dylan - artists no one has ever heard of.
Rock n' roll sounded like music from another planet. The first time around, we had people like Elvis, Little Richard, Chuck Berry, Jerry Lee Lewis - all them people.
Buddy Holly had something very different from the other great early rock n' roll stars, whether it was Chuck Berry, Elvis Presley, Little Richard, Bo Diddley. He came across as so ordinary, as such a nerd. You know, he was a big guy, and he carried a gun. He was anything but a nerd.
I waited, and I’m sure Elvis did too, for each Ricky Nelson record like we would a Chuck Berry record or a Fats Domino record, to see what was going on. I used to say to some of the guys that Ricky Nelson learned to sing on million selling records.
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