A Quote by Jerry Leiber

Listen to any cantor, any good hazan, sing and you can hear a little bit of Ray Charles going on. — © Jerry Leiber
Listen to any cantor, any good hazan, sing and you can hear a little bit of Ray Charles going on.
When you listen to Ray Charles, there's never any doubt whose voice that is.
Dig: I'm Jewish. Count Basie's Jewish. Ray Charles is Jewish. Eddie Cantor's goyish. B'nai B'rith is goyish; Hadassah, Jewish. If you live in New York or any other big city, you are Jewish. It doesn't matter even if you're Catholic; if you live in New York, you're Jewish. If you live in Butte, Montana, you're going to be goyish even if you're Jewish.
Finding out that Ray Charles sang country songs but it sounded as soulful as any rhythm and blues record that kind of opened up my horizons for what songwriting was and what singers I could listen to.
In my neighborhood, everyone had an opinion on the local cantor. You didn't go to a synagogue to listen to the rabbi's sermon. You went to listen to the cantor. It was like a concert.
Ray Charles, in his own way, it's like at the beginning, Ray Charles changed American music, not once but twice.
Give it up for Ray Charles and his beautiful legacy. And thank you, Ray Charles, for living.
When you listen to someone sing from inside their head, their same mix, and you listen to their voice as loud as they like it, or the track of the band as low as they like it, you can really hear all of the nuances and the mistakes if there are any.
I remember working with Ray Charles when I was quite young, and I would wonder, 'Why would he sing 'Georgia On My Mind' and 'I Can't Stop Loving You' every night?' I said, 'Oh my God if I have to sing these songs, if I have to sing 'I Can't Stop Loving You' one more night, I'm going to fall out.' Of course, I was young and I didn't understand.
I got thrown out of music school for even listening to Fats Domino and Ray Charles. I was asked, 'What kind of music do you like to listen to?' and I said, 'Well, I do like Paul Hindemith and Igor Stravinsky but I also like Fats Domino and Ray Charles,' and they literally said, 'Either forget about that or leave.'
Never mind the transience of show business and popularity. When we hear Ray Charles, we go, 'That's a great singer.' You don't need a reporter or a writer to tell us. Good is good and it should shine through the years.
How would you define [Bob] Dylan? You can't. That's a true artist. How about Ray Charles? Can you classify Ray Charles? No, you can't. He's just great, period.
I don't think there are any songs that I've written in the past that I now disagree. It's kind of like tattoos; I would never regret a tattoo, because it was how I felt at that time in my life. I don't think I've ever said anything that I would take back. So far, so good! I would probably change the music, or change how I sing it, maybe do it a little bit cooler, or a bit more grown-up. But I don't think that there are any lyrics that I regret.
I listen to music every day for study reasons, and I confess that I have very little knowledge of what is going on in the hit parades around the world. I have no prejudices for any kind of music genre, and I listen with pleasure to many songs on the radio that my children already know of by heart, while I hear them practically for the first time.
I know that people are going to recognize my voice as being different and they are going to be saying, 'Let me listen a little bit closer to see if she says something that I don't agree with.' They're probably going to pay a little bit more attention.
When I first heard Ray Charles, he was a flop artist on a small label in California. He hadn't sold any records. And I bought his contract for $2,500.
God bless Ray Charles. It was such an honor to meet him and sing with him and actually just to watch him sing from just two feet away.
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