A Quote by Jerry Lewis
The film I did with Bobby De Niro, 'The King of Comedy' - an awful lot came to me out of that movie because De Niro never allowed me any room to be crazy. If I had tried to play it the way I would normally play it and get hysterical, Bobby would punch me.
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I would actually like to play Bobby Brown. To me, he was just the King of R&B at one point.
I don't think you ever stopped Bobby Orr. You contained Bobby Orr, but you never stopped him. When we played the Bruins and Bobby had to give up the puck, it was a good play.
Just as I went into politics because Joe died, if anything happened to me tomorrow, my brother Bobby would run for my seat in the Senate. And if Bobby died, Teddy would take over for him.
The stuff I did in 'Rescue Me' was great. It gave me the opportunity to play comedy, and Denis Leary was the first one to take a chance with me. And from that experience, we had a comedy pilot that we did that I was going to play the lead in. And then 'Person of Interest' came along. They're all new experiences.
They wanted to jump on their own bandwagon. Bobby Charlton had never made it as a manager. Bobby Moore hadn't either. I think they never stopped trying to put me in the same category. That was the road they went down with me.
When I played Bobby Fischer, my opponent fought against organizations - the television producers and the match organizers. But he never fought against me personally. I lost to Bobby before the match because he was already stronger than I. He won normally.
I'm a De Niro fan. I went eleven years without seeing a movie; the last one before that, February 1980, was De Niro and Scorsese in 'Raging Bull,' and when I went back, it was 'Cape Fear,' with De Niro and Scorsese. I picked up right where I left off at.
I was confident and in good shape when I first came to L.A. but nobody would cast me in any well written roles. People assumed based on my looks I was an asshole and a one trick pony. They never let me improv or do comedy. It wasn't until I built a shlubby exterior, which stood in stark contrast to my inner confidence that people gave me room to play.
I had a lot of older musicians looking out for me, teaching me, and showing me things when they saw how interested I was in music from a young age. They would take me to the side and just play some things in my ear, and I would try to play it back to them.
Analyze This is a good movie because Robert De Niro and Billy Crystal are really good. But without the material to put on the play, of course, they couldn't be good. For me, it starts with the writing.
I chose the name "Padded Room," because, when I'm in the booth, it would be the padded room. When I'm in the booth, I can say a lot of things and speak about a lot of things that normally I wouldn't be able to speak about to a friend or to family or to a crowd. A lot of times, the things that I say, if you had to categorize it, they would probably call me nuts or crazy. So, you add that aspect of "The Padded Room," which would be almost like an insane asylum.
Look at how many North Carolina kids have played for me or tried out for me or coached with me. I've had Dennis Wuycik, Steve Previs, Billy Chamberlain, Donald Washington, Darrell Elston, Tommy LaGarde, Bobby Jones. You name it, I've had them. Whatever Coach has ever asked me to do, I've done. Because I love the school, and I worship him.
I had a lot of respect for what my dad did and the success that he had. I wanted to give it a try. He never forced me in any way to go this route. It was my decision. He would push me to work harder at it but only because it was my decision to race. If there was ever a day when I didn't want to do it any more, he would be fine.
I remember when I first came out as an artist, back in 2004 or 2005, the record label used to take me to all the radio stations and just have me sit in, like, their lunchroom or their conference room, and play for the whole staff. Just to introduce them to me so they would play my records.
Our main thing we'd have to entertain us: All my uncles would come over, and we'd sit around the living room on a weekend night, and we'd play. That was a big event for me, getting to play. We never did have any percussion.
I know there are a lot of tough stories out there about Sinatra, but he was so sweet to Bobby and me. He even had us replace him one night in the main room. He didn't get Sammy or Dean; he said, 'I want the kids to do it.' Man, what an honor.
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