A Quote by Jerry Lewis
When I was onstage doing the work, adrenaline killed the pain because I never hurt in front of an audience.
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You're in front of an audience, but you're playing for a camera. There's this huge adrenaline rush, because you know that besides the audience in the studio, there are millions of people watching at home.
I like the adrenaline of live performance, whatever that is, appearing in front of an audience of any kind, whether it's one or a hundred or a thousand. It gives you a buzz of adrenaline, its exciting. The thing about that is that you want to make those nerves work for you in terms of an energy that's appropriate for the part and the performance, and not to distract the people who are watching so that they become nervous for you.
I am quite short, but that never comes across when I'm onstage in front of people. When I get offstage and greet an audience afterwards, their first reaction is to comment on my height because it seems like a very drastic difference.
It won't ruin our movement if someone gets killed in an animal rights action. It's going to happen sooner or later. The Animal Liberation Front, the Earth Liberation Front - sooner or later there's going to be someone getting hurt. And we have to accept that fact. It's going to happen. It's not going to hurt our movement. Our movement will go on. And it's important that we not let the bully pulpit of the FBI and the other oppression agencies stop us from what we're doing. They are the violent ones. They are the terrorists ... we have to keep doing what we're doing.
There are times when I've had ideas walking down the street that I thought were great, and the minute I got onstage, I would think of them and go, 'Wow, that would never work,' even before I did it in front of the audience.
If actors could actually make a living doing theater, that would be my first choice. Sitcoms are the closest thing to being onstage in front of an audience.
If actors could actually make a living doing theater, that would be my first choice. Sitcoms are the closest thing to being onstage in front of an audience. If I had to choose, it would be theater and doing the occasional movie once in a while, and spending time doing nothing.
A sitcom is the closest thing for me to doing stage because you work in front of an audience, and if it's well written it can be very satisfying.
The adrenaline of performing live in front of an audience is a feeling that's hard to replicate.
It's the adrenaline rush you only get from being in front of an audience. It's addictive.
I specifically remember doing the musical 'Sweet Charity' at Stagedoor. I was playing Vittorio Vidal, which is a very funny part, and some other small roles. I couldn't really sing that well, but there were so many fun bits, and I just remember the tremendous adrenaline rush I felt from being onstage and hearing the audience enjoying it.
Because I killed a guy in real life, and because my character kills a guy onstage, they said I could never do anything this great again. I resented that.
Let's get one thing straight: I am not an adrenaline junkie. Just because you cover conflict doesn't mean you thrive on adrenaline. It means you have a purpose, and you feel it is very important for people back home to see what is happening on the front line, especially if we are sending American soldiers there.
Patrick thought we should try to put an audience in front of one of the workshops, basically in front of the class and see how the performers rose to having an audience there, because he said, "You know, it's a really interesting test, because sometimes it gets even funnier."
I was jumping out of my skin. It was horrible. I was all over the place, because I'd never been in front of a live audience. That's a whole other element in the play, the audience.
I was so afraid to even read a paper in front of my classmates. It is very funny because at that point my teachers would never have believed that I could speak in front of an audience of over 2,000 people.
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