A Quote by Jerry Lewis

Adrenaline is wonderful. It covers pain. It covers dementia. It covers everything. — © Jerry Lewis
Adrenaline is wonderful. It covers pain. It covers dementia. It covers everything.
I do covers for CDs and LPs of music that I like, reissues of old-time music, and then I'm inspired to make some kind of drawing based on this love of the music. I don't do album covers or CD covers for groups or musicians I don't like or have no interest in.
Covers, so many covers, so many different, delectable pictures, and although, metaphorically speaking, it is the thing I hate most, when it comes to literature I always judge books by their covers. First the cover will catch my eye, then I read the back of the book, and then finally the first page.
I don't do album covers or CD covers for groups or musicians I don't like or have no interest in.
I have always felt that effect covers are very good covers. They bring you into the story if you pay attention to them.
If you've looked at all the glamour magazines lately, all the covers are actresses. If they are on those covers, they are going to try to emulate models. That's just the way it is.
There are two kinds of speeches: the Mother Hubbard speech, which, like the garment, covers everything but touches nothing, and the French bathing suit speech, which covers only the essential points.
I've always loved doing covers. Some artists don't like covers. Some listeners don't like covers. But I love them. It gives you a new perspective production-wise. It's easier for me, if I'm starting a new record, I like to produce a few songs that aren't mine just so it frees me up not to worry about it so much.
One of the most amazing things about 'Crazy Ex-Girlfriend' is that every song is an original. There are no covers. I think 'Glee' had to deal with forcing covers into their plotlines. That can be difficult to pull off.
We always want to do covers, but we found it kind of boring to do covers of bands in our genre, and we were always asked to do those.
The classical music industry, has been an industry of covers. So we do covers, and if I compare this with the rock and pop side, what is the most exciting event?
The thing about covers that's relatively important to remember is that it doesn't matter how good an artist you are: if you don't have good ideas, the covers don't stand out.
In those days I was new to covers; merely felt pleased that a story of mine had been honored. I later met Rogers who did some of my early covers and I was impressed with him.
Will covers a multitude of flaws, just as love covers a multitude of sins.
Alejandro Colucci has designed covers for my books that stand out, that catch the eye, and that make me, as a reader and consumer, want to know more about the books behind those covers.
When I was a street performer, before I had any songs of my own that anybody would stop and put in money for, I would always be doing covers. Even with covers, people wouldn't stop in the beginning.
I think the transition between singing covers on a reality show to being able to do my own thing was really exciting. I'm no longer singing covers every second, and people are actually getting to hear my own original music.
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