A Quote by Jerry Only
We're gonna try and bring on all the different aspects of horror movie making and bring on guests and show all these old '50's B movies. Not the real corny ones, the real cool ones.
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When I go into making a movie, personally, I don't try to bring other pieces of movies with me. I think that finding a character, relating to her and making her as real as possible means forgetting all of that stuff and just trying to find the truth, in that particular character's words.
When I go into making a movie, personally, I don't try to bring other pieces of movies with me.
I just look at it as a real group activity when you are making movies. There are so many different artists doing so many different things, and they are all interconnected. So I like to see what everybody else is going to bring to the table before I make up my mind too much about anything.
Mainly horror movies and exploitation movies and a lot of stuff comes from those press books from those old movies. Lines out of old movies, comic books that we collect, all the old horror comics of the 50s, probably about the only comics that we collect are obscure horror comics, the real sick ones from the 50s. Some stuff comes from there but mainly just old records, old rockabilly records and that stuff, singles mainly, 45s.
I always felt like I could combine good pop songs that are easy for people to like with a real person and a real mind and integrity. So maybe I bring people into that pop world who don't usually find themselves there because there's not enough stuff for them to get excited about otherwise. I try to be genuine. I try to be real. It's such a subjective thing, but I try to convey an emotion.
I cannot control what you bring into the theater when you see the film. I can't control what my parents bring in. I can't control what some random person on Twitter brings in to the theater. All I can control is the hour and 50 minutes that the movie lasts, and try to give it absolutely everything I can.
People say 'Scott's [Derrickson] movies are kind of scary, is this a horror movie?' Of course, [Doctor Strange] it's not a horror movie. But what Scott has done so well in the best of his films is have one foot completely in the real world and one foot in this whatever supernatural sub-genre he was playing with.
For me, making a lot of dramas on one side it's a different sort of challenge, and on the other, it's not a challenge at all, meaning that my goal is to try and bring the realism and acting you might find in a straight drama with the intentions and conflict, where it doesn't feel tongue-in-cheek, but rather committed and real.
In my horror movies, I was always trying to deal with real characters and real character drama played by good actors... Laura Linney, Ethan Hawke, Eric Bana, and Tom Wilkinson, people who don't do horror normally.
Horror stories have always worked on film. It's where they work. That's where vampires and ghosts and UFOs are real. They're not particularly real in life, but they're real on the screen. It's the communal aspect of movie-watching.
I'm trying to do something real different; I'm trying to bring the street to real pop. I'm trying to bring the street to pop. Not watering it down, no nothing.
If you're trying to be realistic and bring real life to the screen, you are going to have different elements. That's what I'm trying to do. As I make the movie, different elements come in naturally.
I really love to act. I really love to touch the people with my work. It's about giving people what they want to see. I love to see someone who's gonna be real, be truthful to his work and that's what I try to bring every time I step on a set. That's what I did for Tupac movie.
There are lots of things to do. Lots of movies to catch. Lots of places to visit... I try to bring in every real life experience into my acting.
Asian horror is really setting a trend. The Pang brothers are from Hong Kong, so they just bring a whole different sensibility to a horror movie. In Hong Kong, they're actually doing stuff that's very artistic and pushing boundaries.
I like movies that interest me and stories that interest me, I don't think about how much money it's gonna [cost] to make the movie, I don't think about any of that. I think about certain aspects like who's making the movie and who's gonna tell a story that I wanna be involved in, but I don't have that choice and I never have.
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