A Quote by Jerry Pournelle
And that's another piece of advice I'll give junior writers; when you get to the point where they take you to lunch, let the editor suggest where to go.
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The single best piece of advice I give to aspiring writers is to always write about things that they know. I suggest that they write about people and places and events and conflicts they are familiar with. That way their writing will be real and hopefully readers will respond to it. I try to take my own advice.
If I can give you one strong piece of advice, when you go away for that romantic weekend, whatever you do, do not accept or take the upgrade to the honeymoon suite.
I find myself acting for an editor more, because there's a quick turnaround with television, so you want to try and seem like you're as frenetic as possible, while replicating your movement so you're giving the editor more opportunity to cut within the different takes. If you're so crazy that you're sitting in one take and standing in another, the editor can only choose one take or the other. But if you can wrangle yourself into the same spot over and over, then you give them more choices for you.
Never submit an idea or chapter to an editor or publisher, no matter how much he would like you to. Writing from the approved idea is (another) gravely serious time-waster. This is your story. Try and find out what your editor wants in advance, but then try and give it to him in one piece.
I was very fond of Princess Diana. She used to have me over to lunch to ask my advice. I'd give her good advice, and she'd say: 'I entirely agree. Paul, you're so right.' Then she'd go and do the opposite.
I have a great editor and I enjoy, in a masochistic way, being ruthless about my own performance. How do I know, but I think I'm quite good at saying, "That's no good. That's no good. That's it. That's it. That's good." And I'm with the editor who goes, "No, I think you're wrong. That's not your best." There's an initial point in the editing, if you're directing yourself, especially in my case, where you go, "Ouch, ouch, ouch, I can't watch this." And then, there's a point where you become hard-nosed and just take your neurosis away and go, "What's working? That's okay. That's okay. We can lose that, and lose that." You get objective about it.
What I do is give Ennio Morricone suggestions and describe to him my characters, and then, quite often, he'll possibly write five themes for one character. And five themes for another. And then I'll take one piece of one of them and put it with a piece of another one for that character or take another theme from another character and move it into this character.... And when I have my characters finally dressed, then he composes.
The biggest piece of advice that I give young comedians is: If it's your goal to get where I'm at, go do something else. Because you'll never get here. Never. The odds are so bad. Because not only do you have to be a really, really strong comedian but you also have to be lucky. And most people don't get that combination.
It's all about who's where on the food chain. When I'm the story editor, I expect my writers to follow my vision. When I'm working for another editor, I'm obliged to follow their vision.
That's another piece of advice: Don't go to college; follow your dreams. Unless you're a doctor - then go to college.
In golf, advice is not a big thing. If you don't have the ability, you won't get anywhere no matter how much advice you get. The only thing people can suggest that matters is, be a good person and treat people respectfully. But advice on your game doesn't mean much to me.
In parting, I would like to give you one small piece of advice to keep in your heart. You may have heard me say this before, but it is the key point of the entire path, so it bears repeating: All that we are looking for in life — all the happiness, contentment, and peace of mind — is right here in the present moment. Our very own awareness is itself fundamentally pure and good. The only problem is that we get so caught up in the ups and downs of life that we don’t take the time to pause and notice what we already have.
The easier you make it look, the more difficult it is. Creating characters out of nothing, and making them interesting - and that's another advice I would give to writers.
If you ever write a book, I can only give you one piece of advice. Don't let your parents get involved.
If I had to give young writers advice, I would say don't listen to writers talking about writing or themselves.
My first job in the States was as a junior fashion editor at 'Harper's Bazaar,' which I enjoyed, but not for all that long because I was fired by the editor in chief, who told me that I was too 'European.'
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