A Quote by Jerry Robinson

I always felt that heroes were essentially dull. Villains were more exotic and could do more interesting things. — © Jerry Robinson
I always felt that heroes were essentially dull. Villains were more exotic and could do more interesting things.
I've always felt that the human-centered approach to computer science leads to more interesting, more exotic, more wild, and more heroic adventures than the machine-supremacy approach, where information is the highest goal.
It is much more fun to write about villains then heroes. The villains are the ones that think out the scheme, and the heroes just kind of come along for the ride.
I always felt like Azula and Long Feng were much more interesting villains and three-dimensional characters than Ozai, who was just sort of a big jerk. Like a really big jerk, but not very complex or human.
Putting together a list of heroes for 'Original Sin' was a long process, just like figuring out the villains. Along the way, some were taken out, and a few more were added.
It felt really nice to not have anybody talking about numbers, and no one is talking about ratings. From my experience, it felt like there was one person running the ship and it felt like there was space for Jenji to be at the helm. That's not what I've experienced in television before. It felt more akin to an interesting movie, where there were producers who were really excited by the work and wanted to make space for the director's vision to be sort of shared with an audience. It felt more cohesive.
Things were easier for the old novelists who saw people all of a piece. Speaking generally, their heroes were good through and through, their villains wholly bad.
In my opinion, villains are so much more interesting than heroes. So 'Suicide Squad' is just like, wow, so damn awesome.
It's good that there is more support of diversity but there is still a lot of resistance. I never saw it as fighting for a cause, though, for me it was spontaneous, I was doing what felt natural to me. I felt a part of it. I have always been attracted to what is new, interesting, funny, creative, the good things that were happening at that time in the world.
I've always thought darker characters were more fun to play. They're probably not any more complex or interesting than their good, law-abiding cousins, and I'd always tend to see things from their point of view.
When I started making my own music I was listening to people like Erykah Badu and Elliott Smith. I think I always gravitated towards slightly more understated voices because it felt like I could really connect with what they were saying. It felt more like a conversation.
Macintosh felt like a system. As I learned more, I felt like I was able to guess how new things would work. I felt like the bugs in my programs were more my bugs and not things I misunderstood.
I grew up with Jilly and Tamsin driving Volvos. But I wasn't one of them... I always felt more comfortable with Cockney and working-class people. My heroes were the Beatles and people like Michael Caine.
I really am a pessimist. I've always felt that fascism is a more natural governmental condition than democracy. Democracy is a grace. It's something essentially splendid because it's not at all routine or automatic. Fascism goes back to our infancy and childhood, where we were always told how to live. We were told, Yes, you may do this; no, you may not do that. So the secret of fascism is that it has this appeal to people whose later lives are not satisfactory.
Heroes didn't leap tall buildings or stop bullets with an outstretched hand; they didn't wear boots and capes. They bled, and they bruised, and their superpowers were as simple as listening, or loving. Heroes were ordinary people who knew that even if their own lives were impossibly knotted, they could untangle someone else's. And maybe that one act could lead someone to rescue you right back.
I've said this before, but I've always felt more comfortable playing the guy who thinks he's the hot shot or thinks he's the greatest and is so far from it, you know? The misguided character. That's always more interesting to me - especially with a comedy. I've always felt inside more like a character actor.
I would much rather read a book about Ty Cobb, who was quite possibly a sociopath. It makes for more interesting copy. Some of the most memorable characters in literature were villains.
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