A Quote by Jerry Saltz

A great artist has a unique vision...obsession. They are someone willing to fail flamboyantly. — © Jerry Saltz
A great artist has a unique vision...obsession. They are someone willing to fail flamboyantly.
Judging your early artistic efforts is artist abuse. . . Remember that in order to recover as an artist, you must be willing to be a bad artist. Give yourself permission to be a beginner. By being willing to be a bad artist, you have a chance to be an artist, and perhaps, over time, a very good one
That’s why an artist must be a warrior and, like all warriors, artists over time acquire modesty and humility. They may, some of them, conduct themselves flamboyantly in public. But alone with the work they are chaste and humble. They know they are not the source of the creations they bring into being. They only facilitate. They carry. They are the willing and skilled instruments of the gods and goddesses they serve.
It is better to fail with your own vision than to fail with another man's vision.
In every work of art the subject is primordial, whether the artist knows it or not. The measure of the formal qualities is only a sign of the measure of the artist's obsession with his subject; the form is always in proportion to the obsession.
There are three main areas of focus: vision, priorities and alignment. It is critical to articulate a clear vision - how do we add value based on what key competences? Some leaders fail to be clear enough or fail to update the vision based on changes in their industry and in the world.
Commercial theater, in its agenda to appeal to everybody, is often at the expense of the unique vision of the artist.
I'm willing to fail, my producers are willing to fail, my crew is willing to fail.
Being unique seems more desirable than ever. People are exhausted by clichés, by platitudes, by mass-produced realities, by what's been done and done and done. The role of a true artist is to present their own unique vision, and so it has always made sense to me that works of art should be radical.
If you are going to do large-scale invention, you have to be willing to do three things: You must be willing to fail; you have to be willing to think long term; and you have to be willing to be misunderstood for long periods of time.
A true artist, in my mind, is willing to fail sometimes, because if you're not brave enough to say yes and follow your gut, it's never going to be good.
There's a notion of art in this country that you have to be nutty or special or "called" in order to be an artist. I believe the questions everyone should ask themselves are, "Do you want to do it? Are you willing to do it poorly? Are you willing to do the work of doing it? Are you willing to persist when everybody tells you it's silly?" If you're willing to do that, then you can do it.
A great artist has to be ready to fail.
It's tough as an artist to have such a specific vision for your video in mind when you write a song. Reaching out to directors is like going on blind dates and trying to find someone who sees the exact vision behind your music, which can be really difficult.
A true artist could and should create till the day they die. You don't ever fail as an artist until you quit being an artist.
Only the brave should teach....Teaching is a vocation. It is as sacred as priesthood; as innate a desire, as inescapable as the genius which compels a great artist. If he has not the concern for humanity, the love of living creatures, the vision of the priest and the artist, he must not teach.
The only difference between an artist and a lunatic is, perhaps, that the artist has the restraint or courtesy to conceal the intensity of his obsession from all except those similarly afflicted.
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