A Quote by Jerry Saltz
All great contemporary artists, schooled or not, are essentially self-taught and are de-skilling like crazy.
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All great contemporary artists, schooled or not, are essentially self-taught and are de-skilling like crazy. I don't look for skill in art... skill has nothing to do with technical proficiency... I'm interested in people who rethink skill, who redefine or reimagine it: an engineer, say, who builds rockets from rocks.
When you play with great musicians, whether they're schooled or self-taught, they keep you on your toes. It comes down to people's personalities and individual energies.
It's just a joy to be able to work with a lot of different musicians. When you play with great musicians, whether they're schooled or self-taught, they keep you on your toes.
When we talk about contemporary art and contemporary artists, we usually imagine artists who are alive. But I feel very uncomfortable about placing a border between living artists and dead artists.
Self-taught are those without formal education. Most self-taught artists have missing ingredients to their work.
Take Damien Hirst out of contemporary art history, and there's an incredible void. Great artists, like great people, have second acts.
In the contemporary world, artists are almost entirely self-referential.
And thou, who didst the stars and sunbeams know, / Self-schooled, self-scanned, self-honoured, self-secure / Didst tread on earth unguessed at. Better so!.
Everybody now who's playing in Unicorn band is deeply schooled in music. I'm the only one who's self-taught, which I think is a bit hilarious because I'm leading the band and writing the songs, but I'm surrounded by such overwhelmingly competent musicians.
We can no longer contemplate the subject - self - of contemporary art; it has been woven into infinite relationships, replaced by social movements, national image, and financial capital. The disappearance of the construction of the self of contemporary art makes it impossible to exist in the form of a subject. The subject of contemporary art that I speak of is a kind of naming event predicated upon the multiplicity of the environment. It includes politics, should have its own way of thinking, and can be perceived.
The artists could be dead, but some of them are not so distant from us, and make us feel as if they are alive with us. Such artists are worth calling "contemporary artists".
I never wanted to be home-schooled. I didn't like the idea of being home-schooled.
Some comic artists I've known are better than most contemporary artists with work hanging in Tate Modern.
Leonard de Vinci, for example, is a great artist, but he is living in the past. However, I don't feel John Cage and Matsuzawa Yutaka as artists who live in the past. Their ideas are still alive in our world because they express the very important concerns of our age. That is why I could trust them as "contemporary artists".
I was brought up by a Victorian Grandmother. We were taught to work jolly hard. We were taught to prove yourself; we were taught self reliance; we were taught to live within our income. You were taught that cleanliness is next to Godliness. You were taught self respect. You were taught always to give a hand to your neighbour. You were taught tremendous pride in your country. All of these things are Victorian values. They are also perennial values. You don't hear so much about these things these days, but they were good values and they led to tremendous improvements in the standard of living.
First, my people must be taught the knowledge of self. Then and only then will they be able to under-stand others and that which surrounds them. Anyone who does not have a knowledge of self is considered a victim of either amnesia or unconsciousness and is not very competent. The lack of knowledge of self is a prevailing condition among my people here in America. Gaining the knowledge of self makes us unite into a great unity. Knowledge of self makes you take on the great virtue of learning.
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