A Quote by Jerry Saltz
In some ways Lawler is a conceptual Diane Arbus. She's a stalker who takes advantage of situations. She pulls back curtains, causing normal things to look freakish and the freakish to turn mundane.
Related Quotes
Be able to shoot, be able to pass and do all those extra things that I can't make up with freakish athleticism, the freakish body type that I don't have, I have to make up for it with being versatile.
I'm fascinated by the way Diane Arbus saw things. She came from this fashion background and then twisted it.
Producer Ed Pressman had a book about Diane Arbus - it's the only biography that exists - and there had been many Diane Arbus scripts. Many. I don't even know how many over the years. And it's sort of a cursed project, for lots of reasons. There's probably some pile somewhere of all these weird attempts, all these portraitures that can't get made.
When she comes She pulls you close She breathes in short bursts Her eyes close Her head tilts back Her mouth opens slightly Her thighs turn to steel, and then melt She is perfect And you feel like you are everything.
There are days when everyone in the world looks like a Diane Arbus to me. She's a genius but her work is completely different to mine. But on those days I don't use my camera.
My mother encouraged it so much. She was so supportive. Even if as a kid, I would do the dumbest trick, which now that I look back on some things, she would love it, she would say that's amazing, or if I'd make the ugliest drawing, she would hang it up. She was amazing.
I was so honored when Diane Sawyer named me "Person of the Week," and like I told her, "Diane, I love my daughter." I cried when I found out when she told me she was gay when she was 17 because of the judgment.
I was so honored when Diane Sawyer named me 'Person of the Week,' and like I told her, 'Diane, I love my daughter.' I cried when I found out when she told me she was gay when she was 17 because of the judgment.
...what I love about Ann Coulter is that she's sort of the-she's sort of a version of myself in that she absolutely never pulls a punch. Even when she's saying something that I think is outrageous, it's what she really believes and she doesn't back off of it. And that is what I find so refreshing and, unfortunately, so unique. I can't name five other people who do that, who don't calculate before they speak.
I wish to God that she [principal Dawn L. Hochsprung] had had an M-4 in her office, locked up so when she heard gunfire, she pulls it out... and takes him out and takes his head off before he can kill those precious kids.
We know the 65-point policy points, to the extent that they exist, but is Hillary Clinton willing to be vulnerable, is she willing to be funny, is she willing to be both authoritative, but also real? And so less what she says than the emotional tone she sets. It takes a lot of confidence to be a vulnerable speaker on this stage. And sometimes she hasn't always projected the confidence it takes to be in some ways weak. But that's what I think people were looking for, that moment of human connection.
I don't need to own one but I like to look at Diane Arbus's pictures and anything by Jackson Pollock.
She knew that when she got old it would be more fun to look back on a life of romance and adventure than a life of quiet habits. But looking back was easy. It was the doing that was painful. There were plenty of things she would like to look back on but wasn't willing to risk.
[Wendy] Davis [pursued] higher education, as her campaign website says, with 'the help of academic scholarships, student loans, and state and federal grants.' Now that she is in a high-profile and hotly partisan race, it has come out that she also benefited from the moral and financial support of her second - now ex - husband. In the process, though, behavior we would expect and hardly notice in a man is being portrayed as freakish and problematic in a woman.
But Noah, you're not supposed to do this, and I can't let you. So go back to your room." Then smiling softly and sniffling and shuffling some papers on the desk, she says: "Me, I'm going downstairs for some coffee. I won't be back to check on your for a while, so don't do anything foolish." She rises quickly, touches my arm, and walks toward the stairs. She doesn't look back, and suddenly I am alone. I don't know what to think. I look at where she had been sitting and see her coffee, a full cup, still steaming, and once again I learn that there are good people in the world.
And yet she could not forgive herself. Even as an adult, she wished only that she could go back and change things: the ungainly things she’d worn, the insecurity she’d felt, all the innocent mistakes she made.
Related Authors
Andrea Dworkin Quotes
American
Critic
bell hooks Quotes
American
Critic
Charles Lamb Quotes
English
Critic
Charlie Brooker Quotes
English
Critic
Chuck Klosterman Quotes
American
Critic
Elvis Mitchell Quotes
American
Critic
Henry Giroux Quotes
American
Critic
Henry Louis Gates Quotes
American
Critic
Howard Rheingold Quotes
American
Critic
Kimberly Guilfoyle Quotes
American
Critic
Mike Gallagher Quotes
American
Critic
Roger Ebert Quotes
American
Critic
Roland Barthes Quotes
French
Critic
Terry Eagleton Quotes
English
Critic
Walter Benjamin Quotes
German
Critic
William Hazlitt Quotes
English
Critic