A Quote by Jerry Saltz
All of Koons's best art - the encased vacuum cleaners, the stainless-steel Rabbit (the late-twentieth century's signature work of Simulationist sculpture), the amazing gleaming Balloon Dog, and the cast-iron re-creation of a Civil War mortar exhibited last month at the Armory - has simultaneously flaunted extreme realism, idealism, and fantasy.
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In the middle of the nineteenth century, the United States embarked on a new relationship with death, entering into a civil war that proved bloodier than any other conflict in American history, a war that would presage the slaughter of World War I's Western Front and the global carnage of the twentieth century.
Some of the stainless steel discs that I play, I cut myself from pieces of stainless steel that I found. I don't make as many as I used to, because you can't get into surplus and scrap yards as easily anymore.
Realism is in the work when idealism is in the soul, and it is only through idealism that we resume contact with reality.
Art is beauty, and every exposition of art, whether it be music, painting, or the drama, should be subservient to that one great end. As long as nature is a means to the attainment of beauty, so-called realism is necessary and permissable [sic], but it must be realism enhanced by idealism and uplifted by the spirit of an inner life or purpose.
The Seventies were an interesting time to be a reader or writer of fantasy. Tolkien was the great master. Lin Carter was resurrecting wonders of British and American fantasy from the early twentieth century in his Ballantine Adult Fantasy Series.
Film is more than the twentieth-century art. It's another part of the twentieth-century mind. It's the world seen from inside. We've come to a certain point in the history of film. If a thing can be filmed, the film is implied in the thing itself. This is where we are. The twentieth century is on film. You have to ask yourself if there's anything about us more important than the fact that we're constantly on film, constantly watching ourselves.
The twentieth century has exhibited a barbarism and lack of respect for human life on a massive scale just about unknown before
The twentieth century has exhibited a barbarism and lack of respect for human life on a massive scale just about unknown before.
The humanities and science are not in inherent conflict but have become separated in the twentieth century. Now their essential unity must be re-emphasized, so that twentieth-century multiplicity may become twentieth-century unity.
From last century's 'The Birth of a Nation' to this century's 'Gods and Generals,' Hollywood has likely done more than any other American institution to obstruct a truthful apprehension of the Civil War and, thus, modern America's very origins.
Idealism without realism is impotent. Realism without idealism is immoral.
Nothing will convince and convict those around us like the peaceful and positive way you and I respond to our twentieth century hurts and distress. The unbelieving world-your neighbors, the guy at the gas station, the postman, the lady at the cleaners, your boss at work-is observing the way we undergo our trials.
Of course, if there should be war, it wouldn't last long - not in the twentieth century; and no one wants it. There would be, perhaps, a few skirmishes on the frontiers, and then everything would be arranged diplomatically.
I don't know how it could be more stark or clear: this entire society is being dominated by corporate power in a way that may exceed what happened in the late nineteenth century, early twentieth century.
The thriller is the cardinal twentieth-century form. All it, like the twentieth century, wants to know is: Who's Guilty?
It is my belief that whereas the twentieth century has been a century of war and untold suffering, the twenty-first century should be one of peace and dialogue. As the continued advances in information technology make our world a truly global village, I believe there will come a time when war and armed conflict will be considered an outdated and obsolete method of settling differences among nations and communities.
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