A Quote by Jerry Saltz

Our culture now wonderfully, alchemically transforms images and history into artistic material. The possibilities seem endless and wide open. — © Jerry Saltz
Our culture now wonderfully, alchemically transforms images and history into artistic material. The possibilities seem endless and wide open.
Open wide the windows of our spirits and fill us full of light; open wide the door of our hearts, that we may receive and entertain Thee with all our powers of adoration.
Images have become our true sex objects. It is this promiscuity and the ubiquity of images, this viral contamination of images which are the fatal characteristics of our culture.
I'm really inspired right now by a lot of the actors and actresses who are pursuing storytelling outside of just acting. They're writing, producing, they are creating their own material. That's really exciting to me. It feels like the possibilities are endless as far the things that you can make and even where they can be shown.
I was lucky enough to have had great success early on in life; to have had all the things the material world can offer. And yet, I realized that what I had actually neglected was the more spiritual side of myself, which has always been there. But it's easy for us in our culture to become consumed in a sense by materialism. Now materialism is fine. We live in a material world. I'm not saying that beautiful things don't enhance our lives. But, in our culture, we're never happy.
Sometimes it can seem that history is turning in a wide arc, toward an unknown shore. Yet the destination of history is determined by human action, and every great movement of history comes to a point of choosing.
What does 'work' mean in this 21st, ultra-wired century, with its exploding new industries, low barriers to entry and endless possibilities? Is technology making our lives more flexible - or our days more endless?
We should all develop the mind to rejoice in, praise and share in the gift of those who have artistic talents and a richness of heart, whether they achieve wide recognition or not. Cultivating such a beautiful mind is a very worthy effort. Culture and art are not just decorations. They are not just accessories. What matters is whether culture enriches the essential substance of our lives.
What the study of history and artistic creation have in common is a mode of forming images.
I've seen things change and people forget: the history of Berlin, the history of queer struggle, the history of AIDS, the history of New York changing from an artistic powerhouse to more of a financial one now.
It's not our past which most determines the possibilities open to us, it's what we choose here and now to make happen in our present and future.
Thinking of possibilities is like driving a car on a freeway. You have an open road that stretches endlessly before you where your thoughts are not shackled. But when we say 'impossible,' we have already reached a dead-end in our minds. So dwell on possibilities to open up your horizon.
I think cinema is needed throughout Africa, because we are lagging behind in the knowledge of our own history. I think we need to create a culture that is our own. I think that images are very fascinating and very important to that end. But right now, cinema is only in the hands of film-makers because most of our leaders are afraid of cinema.
I am myself a professional creator of images, a film-maker. And then there are the images made by the artists I collect, and I have noticed that the images I create are not so very different from theirs. Such images seem to suggest how I feel about being here, on this planet. And maybe that is why it is so exciting to live with images created by other people, images that either conflict with one's own or demonstrate similarities to them.
When your culture comes from watching TV every day, you're bombarded with images of things that seem cool, places that seem interesting, people who have jobs and careers and opportunities. None of that happened where I was. You're almost taught to realize it's not for you.
Seeking the Cave is part travelogue, part literary history, and part spiritual journey. James Lenfestey is a lively and entertaining tour guide. Modest, funny, curious, and wide open to the world, he gives us perceptive glimpses of Chinese culture, ancient to contemporary, and into what it means to be a poet, both now and twelve centuries ago. The account of his quest to find Han Shan's cave is a delight from beginning to end.
You must feed your mind with reading material, thoughts, and ideas that open you to new possibilities.
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