A Quote by Jerry Saltz
Mark Grotjahn's large new paintings abound with torrents of ropy impasto, laid down in thickets, cascading waves, and bundles that swell, braid around, or overlap one another.
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I also take pleasure in the so-called negative power in Grotjahn's work. That is, I love his paintings for what they are not. Unlike much art of the past decade, Grotjahn isn't simply working from a prescribed checklist of academically acceptable, curator-approved 'isms' and twists.
Oh! what waves of crime and bloodshed have swept like the waves of a deluge down the valley of the Rhine! War has laid his mailed hand on those desolate towers and ruthlessly torn down what time has spared, yet he could not mar the beauty of the shore, nor could Time himself hurl down the mountains that guard it.
I'm always changing things around. I have to change it all the time. I'm rearranging furniture and taking down paintings and putting up new ones, and buying new pieces of art.
Each of is endlessly generating waves with our actions. If you could see the earth from a vibratory point of view, you would see something like radio waves billions of them, cascading constantly into very complex patterns all over the earth.
Even the new feminist research on sex-role socialization and sex differences has sometimes had the unfortunate consequence of creating a new set of stereotypes about what women feel and how women behave. Despite the large amount of overlap between the sexes in most research, the tendency to label and polarize and thus to exaggerate differences remains in much reporting of data, which may, for example, report the mean scores of male and female populations but not the degree of overlap.
Picasso and Matisse were the guys I wanted to get away from, and cubism is all still lifes. Their paintings are all closed drawings. And still life is a perfect form for that. By the mid-'50s, I sort of dropped the still life. The large picture was a way of getting around them, too. The abstract expressionists were also into the large form because it was a way of getting around Matisse and Picasso. Picasso can't paint big paintings. Matisse didn't bother after a certain point.
When we did Cubist paintings, our intention was not to produce Cubist paintings but to express what was within us. No one laid down a course of action for us, and our friends the poets followed our endeavour attentively but they never dictated it to us.
The thing is with hip-hop, it has its waves and the waves crash against the beach and the new waves come in. So to stay relevant you have to roll with that.
It's great that New York has large spaces for art. But the enormous immaculate box has become a dated, even oppressive place. Many of these spaces were designed for sprawling installations, large paintings, and the Relational Aesthetics work of the past fifteen years.
Everything that I have is natural - braid, nails - I practically never use cosmetics. They often ask me in the provinces about my braid.
When the storm brews and the waves swell, only an experienced captain can control the ship and save it.
I like a pretty, undone look. So I wash my hair every other day so it doesn't get dried out, and I let it air-dry. If I want soft waves, I'll braid it first.
The effect of every burden laid down is to leave us relieved; and when the soul has laid down that of its faults at the feet of God, it feels as though it had wings.
It's difficult for me to have a large story, a very large story - a novel is a large story. I'm used to writing and doing these little miniature paintings.
I've been in New York only a few days and I have learned only two words of your language: one is Swell, and the other is Lousy. ... 'It's swell to be with you and excuse, please, my lousy English!
Suppose a number of equal waves of water to move upon the surface of a stagnant lake, with a certain constant velocity, and to enter a narrow channel leading out of the lake. Suppose then another similar cause to have excited another equal series of waves, which arrive at the same time, with the first. Neither series of waves will destroy the other, but their effects will be combined.
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