A Quote by Jerry Saltz

Willem de Kooning is generally credited for coming out of the painterly gates strong in the forties, revolutionizing art and abstraction and reaching incredible heights by the early fifties, and then tailing off.
Abstract Expressionism - the first American movement to have a worldwide influence - was remarkably short-lived: It heated up after World War II and was all but done for by 1960 (although visit any art school today and you'll find a would-be Willem de Kooning).
Early on in my career, I used to get out in the 30s, 40s, fifties, and 60s. So I really appreciated reaching my first hundred.
I think it's always important to get off to a good start early, and especially with a younger team that hasn't been together that long, you want to get out of the gates hot and strong.
Certainly I was a bully. I'm not ashamed of it at all. The hostility of the establishment to what you were able to do in the Forties and Fifties was very strong. Sometimes you have to fight against your society.
The great thing about starting golf in your forties is that you can start golf in your forties. You can start other things in your forties but generally your wife makes you stop them, as Bill Clinton found out.
When I used to go to the Manhattan Chess Club back in the fifties, I met a lot of old-timers there who knew Capablanca, because he used to come around to the Manhattan club in the forties - before he died in the early forties. They spoke about Capablanca with awe. I have never seen people speak about any chess player like that, before or since.
Nobody ever said that growing old would be easy. Just having to hold the newspaper out in your forties and then hair growing out of unusual parts of your body in your fifties. It's tough on the ego.
Willem de Kooning as an artist is insane, Sonia Rykiel is amazing for her colour sensibility, and Ettore Sottsass was an architect and product designer who sometimes created clothes to go with his other designs.
My style was established in the Forties and Fifties, then got dragged through the decades and picked up a couple more things on the way.
It wasn't stone. It wasn't welded steel. It wasn't traditional sculpture. They thought it was craft, or something else, but not art. They couldn't define it in the early Fifties when I was starting out.
Willem de Kooning paintings are a language to be learned. When they were first shown, they were ridiculed as being just drips and splatters and splashes. You had to learn how to read them.
Abstract understanding doesn't mean arbitrary sloshing and messing. Abstract art is controlled visual magic based on laws and methodology. Abstraction generally involves implication, suggestion and mystery rather that obvious description. Like a good poem, a good abstraction attacks your feelings before your understanding. Abstraction within realism adds zest and excitement to otherwise dull subject matter. Abstract understanding takes time and patience.
Everything has its place and time. We men of the nineteen-forties can smile at the mistakes of the nineteen-thirties, and, in turn, the men of the nineteen-fifties will laugh at the mistakes of the nineteen-forties. It is this historical perspective that shall save us.
I'd love to be a NASCAR driver because they're, like, in their forties and fifties.
The forties are very cool and very pastoral. The fifties look like they're pastoral, and then you get a bit more turbulence.
In the South America of the forties and fifties, everyone was into beauty and glamour and fashion.
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