A Quote by Jerry Saltz
When I criticize Joseph Beuys or Francis Bacon, nobody calls those opinions anti-male. Putting female artists or their subject matter off-limits is itself sexist and limiting.
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I like Francis Bacon best, because Francis Bacon has terrific problems, and he knows that he is not going to solve them, but he knows also that he can escape from day to day and stay alive, and he does that because his work gives him a kick.
This is one of the last industries where the subject is off limits. Nobody’s comfortable in engaging in a conversation.
Every time I criticize the anti-Zionists, they say, 'You are trying to silence us.' I don't deny there are some people who are critical of Israel who are not anti-Semitic. But to criticize Israel, and then criticize Zionism, is not quite the same thing.
You assume that it has to be a male god who finds a human female attractive? How sexist is that?
Elizabeth A. Johnson explains that including divine female symbols and images not only challenges the dominance of male images but also calls into question the structure of patriarchy itself.
Contemporary feminism cut itself off from history and bankrupted itself when it spun its puerile, paranoid fantasy of male oppressors and female sex-object victims. Woman is the dominant sex.
In ancient times, people weren't just male or female, but one of three types: male/male, male/female, female/female. In other words, each person was made out of the components of two people. Everyone was happy with this arrangement and never really gave it much a thought. But then God took a knife and cut everybody in half, right down the middle. So after that the world was divided just into male and female, the upshot being that people spend their time running around trying to locate their missing other half.
Growing up I wasn’t sure I was female. As I grew further I wanted to be a lesbian but I wasn’t sure I would meet even the most basic membership criteria (though eventually I created a ‘femme dyke’ persona that worked well for over fifteen years). It wasn’t until my early twenties that I was sure of at least one thing: I was an artist. Quite an accomplishment for anyone assigned female at birth in a culture that calls only male artists ‘great’.
It would be ridiculous to talk of male and female atmospheres, male and female springs or rains, male and female sunshine....How much more ridiculous is it in relation to mind, to soul, to thought, where there is as undeniably no such thing as sex.
Magic is what it is, and those who work it can be male or female; it doesn't matter. What matters is power.
I'm not anti-American. But I am very strongly anti American bacon - the worst bacon in the world.
'Untitled' is a time machine that can transport you to 1992, an edgy moment when the art world was crumbling, money was scarce, and artists like Tiravanija were in the nascent stages of combining Happenings, performance art, John Cage, Joseph Beuys, and the do-it-yourself ethos of punk. Meanwhile, a new art world was coming into being.
Christopher Marlowe or Francis Bacon The author of Lear remains unshaken Willie Herbert or Mary Fitton What does it matter? The Sonnets were written.
I was lucky to grow up in the '90s, when we had just as many strong female artists as male artists. That's a world I would like to live in again.
Regardless of the business aspect of things, is there a reason that there isn't a female Hitchcock or a female Scorsese or a female Spielberg? I don't know. I think it's a medium that really is built for the male gaze and for a male sensibility.
There are female artists I can look at that I find more in common with than the male artists, because they're blending the pop, dance and theatricality... but currently there aren't a lot of guys who go there.
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