A Quote by Jerry Saltz
The forties, seventies, and the nineties, when money was scarce, were great periods, when the art world retracted but it was also reborn.
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'Untitled' is a time machine that can transport you to 1992, an edgy moment when the art world was crumbling, money was scarce, and artists like Tiravanija were in the nascent stages of combining Happenings, performance art, John Cage, Joseph Beuys, and the do-it-yourself ethos of punk. Meanwhile, a new art world was coming into being.
If the seventies were bulbous, and the eighties sharp, the nineties were nothing but bogus.
Throughout the nineteen-seventies and eighties, especially during periods of recession, employees were moved from offices to cubicles.
The middle years - the eighteen-seventies, 'eighties, 'nineties - were a time of moral bankruptcy when men stole millions by a stroke of the pen or by the simple expedient of printing tons of worthless paper.
...We die, we turn, we are reborn as we deserve to be reborn, based on our doings in this world." Will looked down at his bitten nails. "I will probably be reborn as a slug that someone salts.
When people say, 'Your music was the music of the Seventies,' I say, 'So was discoteque.' The Seventies was also the highest peak of heavy metal. Pick a genre - they were all alive.
When people say, Your music was the music of the Seventies, I say, So was discoteque. The Seventies was also the highest peak of heavy metal. Pick a genre - they were all alive.
The seventies were my fattest decade. Overall I think the seventies were distinctly bulbous. People looked chunky, typefaces were rounded, writing implements penile.
Every movement that slays its gods creates new ones, of course. I loathe talk of the sixties and seventies being a 'Greatest Generation' of artists, but if we're going to use such idiotic appellations, let this one also be applied to the artists, curators, and gallerists who emerged in the first half of the nineties.
Warhol and other Pop artists had brought the art religion of art for art's sake to an end. If art was only business, then rock expressed that transcendental, religious yearning for communal, nonmarket esthetic feeling that official art denied. For a time during the seventies, rock culture became the religion of the avant-garde art world.
The great thing about starting golf in your forties is that you can start golf in your forties. You can start other things in your forties but generally your wife makes you stop them, as Bill Clinton found out.
As children in the seventies we were told about nebulous 'strangers'. By definition, we didn't know who these strangers were, and we didn't know what they wanted to do, but only that they were sinister. I think that was the stage the seventies were at.
We also have to acknowledge that there are Millennials who don't know of the Clintons of the nineties, and we've always suspected that once they found out that... I mean, Bill Clinton's behavior was celebrated by Democrats in the nineties. Even by the feminazis!
I was reborn," she said, her hot breath brushing his ear. "You were reborn," Tengo said. "Because I died once." "You died once," Tengo repeated. "On a night when there was a cold rain falling," she said. "Why did you die?" "So I would be reborn like this." "You would be reborn," Tengo said. "More or less," she whispered quietly. "In all sorts of forms.
The late Seventies was the death of the manufacturing age in the United States. It was also a time when the Pictures Generation artists were getting started. They co-opted the language of advertising. The factory disappeared, and weirdly, so did the art object - it was the age of making gestures, not objects.
I think The Doors are one of the classic groups, and I think we're all tempted to feel like the time in which we grew up was somehow special, but I really do believe that there were two golden eras in music: The Forties and Fifties of big band, jazz and swing, and the Sixties and Seventies of rock. To me, they're really unparalleled.
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