A Quote by Jerry Saltz
Marlene Dumas is one of the two or three most successful female artists alive, if you judge by prices. I've never reviewed her work, because I find nothing in it to get excited about no matter how hard I look.
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I've worked really hard. I've made three pieces of seminal art in my life. If I died tomorrow, I'd be remembered for making them. There are a lot of artists who, no matter how hard they work in their lives, will never make anything seminal.
I have learned never to judge any of the characters that I portay. Sometimes that is difficult to do because as a human being we tend to make judgements when we find out information about people and situations. In order to bring a character to life, though, I find that I cannot judge her or I won't be true to her.
Study the unusually successful people you know, and you will find them imbued with enthusiasm for their work which is contagious. Not only are they themselves excited about what they are doing, but they also get you excited
There are many diamonds in the world and if you lose your favorite, you can work hard, earn a lot of money and get another one to replace it. But the moments of your life aren't like that. Once they're gone, they'll never return. Each and every one is the most precious thing in existence. You can never meaningfully compare one moment with any other. You can never meaningfully compare your life with anyone else's. No matter how rich someone else may be, no matter how happy they look, no matter how enlightened they seem, they can never be you. Never, ever, ever. Only you can live your life.
Why must everything be repeat and repeat, never finish, never resting? You work so hard one day, but the next day you must only work again. You eat, but the next day, you are already hungry. You find love, then love goes away. You are born with nothing, you work hard, then you die with nothing. You are young, then you are old. No matter how hard you work, you cannot stop getting old. - Wayan
He wanted to hear her concerns and alleviate them, he wanted to hold her and kiss her and convince her that he would find a way to make their relationship work, no matter how hard that might be. He wanted to to make her hear his words: that he couldn't imagine a lofe without her,that his feelings for her were real. But most of all, he wanted to reassure himself that she felt the same way about him.
Girls get the message from very early on that what's most important is how they look, that their value, their worth depends on that. And boys get the message that this is what's important about girls. We get it from advertising. We get it from films. We get it from television shows, video games, everywhere we look. So no matter what else a woman does, no matter what else her achievements, their value still depends on how they look.
I think most women have to fight very hard for the opportunities they want, which isn't to say that most artists don't have to do that, male or female, but I'm definitely aware of just how difficult it is to find stories that interest me, particularly.
Look, guys, no matter what a girl does, no matter how she's dressed, no matter how much she's had to drink, it's never, never, never, never, never OK to touch her without her consent. This doesn't make you a man. It makes you a coward.
Value investing strategies have worked for years and everyone's known about them. They continue to work because it's hard for people to do, for two main reasons. First, the companies that show up on the screens can be scary and not doing so well, so people find them difficult to buy. Second, there can be one-, two- or three-year periods when a strategy like this doesn't work. Most people aren't capable of sticking it out through that.
There are female artists I can look at that I find more in common with than the male artists, because they're blending the pop, dance and theatricality... but currently there aren't a lot of guys who go there.
You have to learn how to read contracts, how to position yourself, and about marketing. That is why you find the most successful artists are the ones who can mix creativity with business.
I don't think too much about the past when I am actually playing, I prefer to concentrate on the present. The performance of a piece, no matter how long ago or where it was written, is always a new production, something that comes alive in the present. And it doesn't matter if the piece was written two or three hundred years ago if it is alive in us.
I think 'The Musketeers' is probably the Dumas novel people are most familiar with, or if not that, it's 'The Count Of Monte Cristo'. I've always been a big fan of Dumas because, on the one hand, he writes a lot about revenge, but he also writes about the cost of it to the revenger - I'd always had an interest in that.
I have to laugh to myself. I don't find it work to write music, because I enjoy it. I'd find an evening of bridge hard work because you have to think like hell, and at the end, you get nothing for it.
I don't have any ego about it, but I find there's not a great work ethic in show business. A lot of people are in it to make money, and coming from stand-up, you have to work so hard because almost nothing works, and if you lose the audience for three minutes, you're dead.
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