A Quote by Jerry Saltz
Living and working for four decades in a Bologna apartment and studio he shared with his unwed sisters, Morandi painted little but bottles, boxes, jars, and vases. Yet like that of Chardin and the underappreciated William Nicholson, Morandi's work seems to slow down time and show you things you've never seen before.
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Morandi gave an intimate view of his deepest thoughts. We watched him inquiring after the devilish questions of essences and substances.
I don't dispute the fact that I ordered too many mason jars. 1,200 Mason jars in a studio apartment is not the hill that I will die on.
So whenever I had some in-between producing time down in my studio I popped a tape in and started working on it. Working a little bit at a time, it actually took almost four years.
Have you seen the bologna that has the olives in it? Who's that for? 'I like my bologna like a martini. With an olive.' 'I'll have the bologna sandwich - dirty.'
Giorgio Morandi's paintings make me think that artists may not totally choose, or even control, their subjects or style.
Morandi suggests we are all single in this world, hoping for independent repose. But our best opportunity for a community of excellence depends upon a collection of enlightened individuals.
I lived in the studio apartment that I bought for four years before I bought it in 1989, so I was already in it. I began living there in 1985, so I've had the same address and phone number since then.
I had been working at home at the time and was looking to find a studio space somewhere outside of my apartment. I thought that might be good for me in terms of having a little bit more discipline with my work habits.
When Mr. William Faraday sat down to write his memoirs after fifty-eight years of blameless inactivity he found the work of inscribing the history of his life almost as tedious as living it had been, and so, possessing a natural invention coupled with a gift for locating the easier path, he began to prevaricate a little upon the second page, working his way up to downright lying on the sixth and subsequent folios.
We are seeing a working-class, a middle class, which over the last three decades has seen their wages and income stagnate, while the very rich have seen their tax burden lighten in ways not seen in three or four decades. It's a face of a country that we need to look at and understand that inequality is perhaps the greatest threat to our economic recovery and democracy, and in that context we must take action.
When I was a little girl, I used to try and bring sunshine to my mother. I felt so bad that she had never really seen or felt it. So I would try and catch it in jars. When that failed, I captured jars and jars of lightening bugs and told her that if we could catch enough of them, then it would look like the sun. She’d laugh, hug me, and then set them free and tell me that nothing should have to live its life in a cage. (Cassandra)
I started working when I was seven, and ever since then I've been saving for an apartment. Even before that I had a little jam jar designated for my apartment money.
If you slow things down, you notice things you hadn't seen before.
Simon I've been trying to call you, but it seems like your phone is turned off. I don't know where you are right now. I don't know if Clary's already told you what happened tonight. But I have to go to Magnus's and I'd really like you to be there. I'm scared for my brother. I never ask you for anything, Simon, but I'm asking you now. Please come. Isabelle. Simon let the letter fall from his hand. He was out of the apartment and on his way down the steps before it had even hit the floor.
It's not like it's not fun to work on big studio pictures. It is. But I can't say that's more fun than working on some little indie for scale. Look at The Amateurs, that's probably the best time I ever had working on a film. With that group of guys, it ended up being an experience I'll never forget. I'll always have the fondest memory of that shoot.
All the things that girls feel they are not when they fear that if they become, if they are, they will no longer be loved by the sisters whose hearts they have not meant to break. And besides, if the sisters are gone and only the beloved remains with his dense curls and his lips, how safe are you then? You have to have him or you will die if the sisters are gone with their listening ears and their feet to rub and their bodies to dress and their shared loneliness.
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