A Quote by Jerry Saltz
Biennial culture is already almost irrelevant, because so many more people are providing so many better opportunities for artists to exhibit their work.
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I thought, 'A biennial needs artists. I'm going to do an international biennial; I need artists from all around the world.' So what I did was I invented a hundred artists from around the world. I figured out their bios, their passions in life and their art styles, and I started making their work.
It's hardly even noticeable that so many artists, designers and architects live here. It isn't reflected in the cityscape or in the museums. Many of the artists, for example, exhibit around the world, just not in Berlin.
There are so many people, so many artists, so many magazines, so many theater companies, so many people trying to raise money for so many things that it's easy to look around and just feel powerless or helpless, because even if you have some resources, you can't help everybody.
The most effective tool I have to work with artists I admire is to point to other artists that I admire and show that I've worked with them many, many times. It's not because I have option deals; it's because they want to keep working with us.
There are so many rappers now that it's cluttering our culture. 90% of the time at a show there are more artists in the crowd than there are fans - it's too much. Too many people try to give you CD's.
I think that if we really want to break it down, that non-black filmmakers have had many, many years and many, many opportunities to tell many, many stories about themselves, and black filmmakers have not had as many years, as many opportunities, as many films to explore the nuances of our reality.
The Corcoran show was actually almost a reportage. The exhibit was, in many ways, pretty unique. It was one of the first pieces about DC culture that doesn't include some marble building or the Kennedy Center.
Java the language is almost irrelevant. It's the design of the Java Virtual Machine. And I've seen compilers for ML, compilers for Scheme, compilers for Ada, and they all work. Not many people use them, but it doesn't matter: they all work.
Many, if not most, career opportunities come to you through people you know. So the more people you know, the more opportunities you have. Improving your social network is a great example of a system for moving from lower odds to better odds without having a specific goal.
There are many things I want to do, so many people I want to work with, so many different opportunities out there as an actor.
People are irrelevant. They're as irrelevant as many other prominent leftists are.
Just strengthening that theme that America is a place of opportunity and hoping to inspire people to fulfill those opportunities, and to want more, and to want better, and to see the places we can go. So many people identify with me because of the place that I come from.
You would think that the weapons of a king and queen were perhaps their armies or centuries of tradition but what they have is the power of the media. The visual is almost more important than words because they don't have that many opportunities to speak.
I'm more beautiful than I've ever been because I've experienced so many things, and I can relate to so many different people. And you know, it's just made me a better person.
When people talk about imagination, they tend to think of fantasy or something made-up. But really imagination is a mode of perception. Which is maybe why so many artists have turned to the occult. Artists tend to feel like outsiders. Whether they are actually outsiders or not is also kind of irrelevant.
Part of why I have started writing about love is feeling that our culture is forgetting what Martin Luther King taught. We name more and more streets and schools after him but that's almost irrelevant, because what is to be remembered is that strength to love.
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