A Quote by Jerry Saltz

I love Rauschenberg. I love that he created a turning point in visual history, that he redefined the idea of beauty, that he combined painting, sculpture, photography, and everyday life with such gall, and that he was interested in, as he put it, 'the ability to conceive failure as progress.'
Once I have the finished sculpture, I’ll put it out on the street or in nature or somewhere where it interacts with the environment. Really it’s kind of the idea of turning the street into a stage and this sort of urban theater has a life of its own. If you have creative drive, and you need to manifest it, then you need some sort of medium to do that through. For me, it worked out with sculpture, and tape just is a means of doing sculpture.
Visual ideas combined with technology combined with personal interpretation equals photography. Each must hold it's own; if it doesn't, the thing collapses.
Everyday life is like programming, I guess. If you love something you can put beauty into it.
I didn't do so well in the academic world, so I think the only way I could express myself was through visual art - anything I could get my hands on, whether it was glassblowing, sculpture, painting, or photography. I always wanted to be a painter. Or a farmer.
I had a growing feeling that most of the best art of the world in painting and sculpture had been done, and that this newest form [photography] was more related to the progress and tempo of modern science of the eye.
To me, photography is like a quest, or a pilgrimage, or a hunt. I love painting, I love music, but photography is what has allowed me to get outside of myself.
Originally, one of the reasons I was drawn to photography, as opposed to painting or sculpture or installation, is that of all the arts it is the most democratic, in so far as it's instantly readable and accessible to our culture. Photography is how we move information back and forth.
I am a great lover of art, in many forms: paintings, objets, textiles. I don't have the talent for painting, but I have a very good sense of colour, a love of visual beauty.
I had no idea LOVE would catch on the way it did. Oddly enough, I wasn't thinking at all about anticipating the Love generation and hippies. It was a spiritual concept. It isn't a sculpture of love any longer. It's become the very theme of love itself.
I was interested in ideas, not merely visual products. I wanted to put painting once again at the service of the mind.
The process of drawing is... the process of putting the visual intelligence into action, the very mechanics of visual thought. Unlike painting and sculpture... the artist makes clear to himself and not to the spectator what he is doing. It is a soliloquy before it becomes communication.
That's why I ended up going to Lancaster University, because they had a visual arts course, and in the first year it was like a broad visual arts course in sculpture, painting, graphics - all of that.
Painting from life is a completely different monster, which I like. But because I've been painting from photography for so long, I've learned my best moves from photography.
Whenever Beauty looks, Love is also there; Whenever beauty shows a rosy cheek Love lights Her fire from that flame. When beauty dwells in the dark folds of night Love comes and finds a heart entangled in tresses. Beauty and Love are as body and soul. Beauty is the mine, Love is the diamond.
Photography was inspired by painting, cinema by theatre and photography, I don't believe that any new art form was ever created from scratch.
I did photography, painting, and drawing, but I prefer sculpture. I like it because it's very physical.
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