A Quote by Jerry Saltz

Elizabeth Peyton, the artist known for tiny, dazzling portraits of radiant youth, is now painting tiny, dazzling portraits of radiant middle age. — © Jerry Saltz
Elizabeth Peyton, the artist known for tiny, dazzling portraits of radiant youth, is now painting tiny, dazzling portraits of radiant middle age.
O Hope! Dazzling, radiant Hope! What a change thou bringest to the hopeless; brightening the darkened paths, and cheering the lonely way.
I'm quite a precious painter; my style is a messy fine art - sort of impressionist. I do portraits, I love painting other artists, but recently, I've been playing around with self portraits, putting on different characters.
The sun penetrates crystal and makes it more dazzling. In the same way, the sanctifying Spirit indwells in souls and makes them more radiant. They become like so many powerhouses beaming grace and love around them.
The people have to know what my portraits are like in order to behave in such a way that the result is one of my portraits.
I felt that the beach portraits were all self-portraits. That moment of unease, that attempt to find a pose, it was all about me.
The command "Be ye prfect" is not idealistic gas. Nor is it a command to do the impossible. He said (in the Bible) that we were "gods" and he is going to make good his words. He will make us into a god or goddess, a dazzling, radiant, immortal creature...a bright stainless mirror which reflects back to God perfectly.
There's not a lot of pictorial evidence from the Highlands, because only the very wealthy had their portraits painted - but there is one well-known painting of the two sons of the Duke of Argyll, wearing tartan.
It is, indeed, only in old age that intellectual men attain their sublime expression, whilst portraits of them in their youth show only the first traces of it.
Understand this: we are both tiny and massive. We are nothing more than molded clay given breath, but we are nothing less than divine self-portraits, huffing and puffing along the mountain ranges of epic narrative arcs prepared for us by the Infinite Word Himself.
A world where Congressmen spend 30 to 70 percent of their time raising money from a tiny, tiny fraction of the 1% is a world where that tiny, tiny fraction has enormous power. And it's that inequality in political power that enables this corrupted system to happen.
The aged love what is practical while impetuous youth longs only for what is dazzling.
Our cover has always been really important. For those of you who haven’t seen itCharles Burns, who is a graphic artist, does four portraits, so it’s split into quadrants and there’s four heads, basically—portraits of people. We’ve actually often thought and freaked out, what if something happened to Charles Burns? Because he’s so identified with the cover of our magazine, I don’t know what we would do if anything happened to Charles Burns.
Photography freed painting from a lot of tiresome chores, starting with family portraits.
In college, all my friends were graffiti writers, but I never wrote graffiti. I wanted to participate and do something cool on the street, so I'd make these portraits of people. I'd isolate them on a white wall, make a silkscreen of it, and do these portraits in bathrooms and all around. That's how I started the Polaroids.
Painting self-portraits without clothes on has also given me some publicity.
When we interpret the violent portraits of God through the lens of the cross, we can see God doing in history what he did in a supreme way on Calvary. And this is how these violent divine portraits anticipate, and point us toward, the cross.
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