New York being what it is, our museums are vertical, not horizontal. That means the stumbling blocks to architectural clarity are unavoidable - but certainly surmountable.
Every camera shoots horizontal, right? So we're all super used to framing things with lots of horizontal room. We've seen this new wave of Snapchat stories and Instagram stories where people are actually framing for and recording in vertical. Whether it's better or not is debatable.
Cities are distinguished by the catastrophic forms they presuppose and which are a vital part of their essential charm. New York is King Kong, or the blackout, or vertical bombardment: Towering Inferno. Los Angeles is the horizontal fault, California breaking off and sliding into the Pacific: Earthquake.
Of course I believe imaginative architecture can make a difference to people's lives, but I wish it was possible to divert some of the effort we put into ambitious museums and galleries into the basic architectural building blocks of society.
New York means many different things to me. It certainly means cheesecake, more species of cheesecake than I ever knew existed: rum, orange, hazelnut, chocolate marble, Italian, Boston, and of course, New York.
It's what I like to call the horizontal Jesus. Vertical Jesus are the songs that say 'Lord I love you, Lord I praise you, Lord I thank you' and horizontal is 'I'm in a situation. This is the problem. How can I apply that now horizontally?' There are more problems in the world because he's not being applied horizontally.
If there is a reason for keeping the wall very quiet, choose a pattern that works all over without pronounced lines...Put very succinctly, architectural effect depends upon a nice balance of horizontal, vertical and oblique. No rules can say how much of each; so nothing can really take the place of feeling and good judgement.
Museums that aren't perfect are the ones that I love. Museums that aren't overdesigned. I always like to visit the strange, odd museums. In New York, the Frick is absolutely my favorite, favorite place because I like to think that it was someone's home not that long ago.
Our theaters, our museums, our culture. We have everything New York has without the hassles.
You use the vertical edge as the point of reference, instead of the horizontal edge. I have a picture of a beggar, where there's an arm coming into the frame from the side. And the arm is parallel to the horizontal edge and it makes it work. It's all games, you know. But it keeps it interesting to do, to play.
We think of stories a lot of the time as being horizontal texts, beginning to end. But I love the idea of having little vertical spikes in the story, too.
Dancing is a vertical interpretation of a horizontal intention.
Our wounds ultimately give us wisdom. Our stumbling blocks inevitably become our stepping stones. And our setbacks lead us to our strengths
I'm from New York and I love New York and I'm always repping New York, but what I represent is something deeper than just being a New York rapper.