A Quote by Jerry Seinfeld

If I want a long, boring story with no point to it, I have my life. — © Jerry Seinfeld
If I want a long, boring story with no point to it, I have my life.
If the point of life is the same as the point of a story, the point of life is character transformation. If I got any comfort as I set out on my first story, it was that in nearly every story, the protagonist is transformed. He's a jerk at the beginning and nice at the end, or a coward at the beginning and brave at the end. If the character doesn't change, the story hasn't happened yet. And if story is derived from real life, if story is just condensed version of life then life itself may be designed to change us so that we evolve from one kind of person to another.
There's a story everywhere. Being bored to death someplace is basically a funny proposition. What you have to watch out for is you don't write a boring story about a boring place.
I don't want you to think that I'm being willfully obtuse, but I've never really grasped how point of view could be regarded as a matter of choice independent of story. Point of view is intimately interwoven into the story that you want to tell - it is an aspect of it.
The narrator blames the birds. And you want to blame the birds as well. I blamed the birds for a long time. But in this story everyone is hungry, even the birds. And at this point in the story so many things have gone wrong, so many bad decisions made, that it’s a wonder anyone would want to continue reading.
Some writers just write about their own lives. Well, I don't want to do that. I want to have a really boring life. A quiet, boring life so no one wants to write a biography. I'm the only writer in history only to have one wife, for instance.
The whole point of fanfiction is that you get to play inside somebody else's universe. Rewrite the rules. Or bend them. The story doesn't have to end. You can stay in this world, this world you love, as long as you want, as long as you keep thinking of new stories.
I've worked for a long time, but I got to the point where I felt like, I am out here so far, how do I get back? I want to have a real life, a personal life. I didn't want a personal life I just visited.
My story is so boring: Long Island Jewish parents take their daughters to Broadway.
You get to a point in life where it suddenly occurs to you that you don't need all the things you once thought you did--that it's really, well, convoluted. My life feels overblown sometimes, and I don't want it to be. I want it to be streamlined. So I'm living a much more unscripted life now than I have in a long time.
I don't want to be boring, and I never want people to think it's a snoozefest. I want to find the middle point between looking classic and also trying something new.
If the point of life is the same as the point of a story, the point of life is character transformation.
For too long, we’ve called unbelievers to “invite Jesus into your life.” Jesus doesn’t want to be in your life. Your life is a wreck. Jesus calls you into his life. And his life isn’t boring or purposeless or static. It’s wild and exhilarating and unpredictable.
Life, like any other exciting story, is bound to have painful and scary parts, boring and depressing parts, but it's a brilliant story, and it's up to us how it will turn out in the end.
That's really why I want to go to space - I want to be weightless for so long that it gets boring.
There's nothing interesting about seeing our characters for an hour and a half do some flashy flying in the sky and beating up on some buildings. It's boring, and people don't want that anymore. They want character, and they want story.
There are filmmakers like me in different parts of the world that have a story they want to tell, and it's a story that comes out of a certain historical reality within their own life. Then you get committed all the way and however long it takes, stay very committed.
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