A Quote by Jerry Seinfeld
I think it's funny to be delicate with subjects that are explosive.
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I work very hard on motivating everything I do as an actor. Explosive moments have to be completely motivated; whether they're explosive comedy or explosive horror, they have to come organically out of a scene and an interaction with another actor.
I myself am quite absorbed by the delicate yellow, delicate soft green, delicate violet of a ploughed and weeded piece of soil.
I like talking about subjects that aren't funny in the first place and making them funny. So anything down and depressing is something I'll talk about.
On certain, delicate subjects, bringing in outsiders to talk about values is pertinent because pupils listen to them more attentively.
You know, Lincoln was funny. I don't think F.D.R. was very funny. But Lincoln was funny. Lincoln was really funny. But I think you should get elected first, and then show that you're funny.
The political environment we create matters because a disturbed person cannot always tell the difference between explosive rhetoric and explosive actions.
I never know when I am being funny, and the other way too. I don't think you can think about that. I don't think you can try to be funny. Some people are just funny.
I think if you have a funny thought, and you want to get off a funny point, try to do it as realistically as you can. If you try to act it funny and accent the funny points, or do it in a funny style, you kind of lose it.
I think that Obama is very cool. And I think he's clever, and I think he can be witty. But I don't think he's funny in either the way that Reagan was funny - or John McCain and Dick Cheney are both funny in that ruthless, kind of mean way.
Funny is funny. If it's funny enough to women, it will be funny to men. I think that's been proven by Broad City and Amy Schumer. They're killing it.
Funny is funny. You can be fooled by the eye, but if your performance is funny to the ear, it will be funny. I think it's that if you don't have the visual, you have to infuse the full personality into the voice.
I don't think writers really choose their subjects. I think the subjects, the topics, the themes, choose us, and then we make the most of what we have. For Trollope, society; for Roth, Jews. For me, apparently, love. Why hide it?
I don't think that my art isn't serious. I think the subjects are not serious, or my treatments of the subjects are not serious. But then, I'm also putting down subject, because like the abstract expressionists, I don't think the subject is important.
I'm not offended. Lenny Bruce taught me that everything's funny. You can make everything funny. I don't think that assassinations are funny, I don't think you can make fun of ISIS, but almost everything is funny. And If we can't laugh at ourselves, who can we laugh at? So I don't mind ethnic humor. I like ethnic humor. I like dialect jokes. Laughter is a very subjective thing. If it's funny to you it's funny. And a lot of things are funny to me.
I think I knew I was funny in Elementary School. I think most funny people realize it when they're young. It tends to come out of stress or trauma - something that makes you want to be funny.
I think something very simple that everybody can do is they can participate in medical research as subjects. Personal genome project, for example, will take on as many subjects as we can find.
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