A Quote by Jerry Seinfeld
A lot of times, you could play me just the laughs from my set, and I could tell you, from the laugh, what the joke was. Because they match.
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When I was working with Barry Sonnenfeld, I'd watch him set up a shot and talk to him about what he was seeing and what it was to shoot comedy. He told me that a lot of times with comedy, it's not just about getting the joke, but getting a reaction to the joke. That's the laugh - it's somebody's else's reaction to the joke.
Staying interested in a match is a lot harder than many people think. Throughout my career, I've always had trouble in the early rounds of a tournament mainly because it was hard for me to psychologically get up until I got to the quarters or the semis. What happened a lot of times is that I would fall behind early, maybe even lose the first couple of sets in a five-set match and then begin to concentrate. Still it wasn't something I could control from the start.
I can see that the tennis for the fans could be a bit boring, and these days you have these new modern things which you can do, and you have a lot of time, because you just play a match, and practise, and many times in between you can bring many things to the fans.
I always laugh the hardest at the stuff you see in day-to-day life. Its great when somebody can tell a joke that really makes you laugh hard, but to see some kind of personal interaction that no one could write is so good. Those are always the things that make me laugh.
I always laugh the hardest at the stuff you see in day-to-day life. It's great when somebody can tell a joke that really makes you laugh hard, but to see some kind of personal interaction that no one could write is so good. Those are always the things that make me laugh.
I have become a giant fan of the testing process, especially with a comedy. I mean, they tell you what's funny. It's almost tailor-made for people who shoot the way we shoot, trying a million different options and versions of things. Because the audience doesn't laugh at a joke, we put in another joke. If they don't laugh at the next joke, we put in another joke. You just keep doing them and you can get the movie to the point where every joke is funny, if you have enough options in the can.
If a comedian tells a joke that you find funny, you laugh. If he tells a joke you do not find funny, don't laugh. Or you could possibly go as far as groaning or rolling your eyes. Then you wait for his next joke; if that's funny, then you laugh. If it's not, you don't laugh - or at very worst, you can leave quietly.
If I tell a joke on stage and the crowd laughs for a minute, I stand there for a minute and enjoy them laughing before I go on to the next joke. On TV, if I stand there for a minute while they laugh, I look like an idiot who can't remember the next joke.
Isn't it funny how babies laugh a lot? I read a toddler, a young child laughs 300 times a day. The average adult laughs, like, four times a day. God put it in them. He put the laugh in us, but I think sometimes we let life get us down, you know, have bad breaks, and we lose our breaks.
If a comedian tells a joke that you find funny, you laugh. If he tells a joke you do not find funny, dont laugh. Or you could possibly go as far as groaning or rolling your eyes. Then you wait for his next joke; if thats funny, then you laugh. If its not, you dont laugh - or at very worst, you can leave quietly.
The talented actor needs craft. When you do a stage play, you do it once each night in chronological order. In a film you're going to wind up doing a scene 15-20 times, just by the nature of the process. If I tell you a joke once, it's funny. The more times I tell, the less funny it is. How do you get to the point where you can laugh again? You also may have to cry again and again.
One of the things that 'Too Bright' refers to is how there's a lot of times where I see things that I could change that could make me more contented, but I usually just don't make those changes because they seem new and scary. I just stay where I'm at, even if I'm miserable, because I'm familiar with it.
I have an extra set of eyelashes because you never know. I could cry or laugh, or it could be windy, and I'll need a standby pair.
I always say, if I tell you a joke right now and it's funny, you laugh. Now, we set the lights, and I tell you the joke again, it's hard to find it funny the second time.
When I was studying at Berklee, I got the feeling I couldn't play the [guitar] at all, because I could not use my own things as they didn't fit any set pattern. When I joined [Chico Hamilton], he helped me immensely to develop my own style. He never forced me in any set way. At all times, he encouraged me to be myself on the instrument.
Stand up is really fun because if I think of a joke or a funny idea, then I can just go and tell some people and if they laugh, they laugh right away.
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