A Quote by Jerry Seinfeld

The greatest thing about being a comedian is knowing other comedians. And you get to talk to them. Its the most fun. — © Jerry Seinfeld
The greatest thing about being a comedian is knowing other comedians. And you get to talk to them. Its the most fun.
My theory about comedians is that their greatest fear is other people laughing at them. So comedy is an attempt to control and manipulate the thing they find most frightening.
I try to stay with it and I try to stay in contact with comedians and just keep comedians in my life 'cause comedians are their own species. If you get away from them, especially as a comedian, I think it's dangerous.
You don't get white comedians being asked to talk about their race in their shows. I should be given the same agency to talk about what I want to talk about.
I'm friends with a lot of comedians, but we don't talk about material. Most comedians I know don't watch a lot of other comedy.
Either you're a political comedian or you're a stand-up. Just talking about politics isn't enough. People who talk about airplane food, you don't call them airplane comedians.
I'm not like most comedians. I don't deal with just heckles - I'm also dealing with threats and anger. Here I am, a brown person on stage being quite blunt. I talk about white privilege; I talk about U.S. imperialistic practices; I talk about colonialism. I'm not saying things that are easy for people to laugh at.
I'm a comedian, and the other comedians are played by comedians, the same way that in 'Once' there are the musicians that hang out together.
At comedy festivals, we always get grouped with other musical comedians, so you can get to know them and see what everyone is doing. it's really fun and awesome that we're the only girls, because we can tackle issues that guys can't sing about.
If you go down as a comedian's comedian, that's basically meaning other comedians are hopefully feeling that you're doing okay.
To know another human being in their essence, you don’t really need to know anything about them - their past, their history, their story. We confuse knowing about with a deeper knowing that is non-conceptual. Knowing about and knowing are totally different modalities. One is concerned with form, the other with the formless. One operates through thought, the other through stillness.
I certainly don't think comedians are more depressive than any other walk of life. I have had clinical depression, as it happens. The stress of performing didn't help, but it wasn't about being a comedian in itself.
Black comics, they only watch Black comedians. You're a comedian; you're not just a Black comedian. You're a comedian. I try to get that through to everybody.
The one thing that's depressing as a comedian to realize is that rock stars get groupies, and comedians don't.
I came upon whatever I'm doing organically. I didn't study anything. I don't have any real aspirations other than to connect with somebody, and to have the conversation be genuine. That's the best that can happen. Even if it only happens for 10 minutes in an episode. But I think what people forget is that you don't have to try to get a comedian to be funny. Comedians are innately funny. That the real challenge of talking to them is to get them talking about real things and then see where they need to be funny. And let them do that on their own volition.
Comedians talk to other comedians the way jazz musicians can talk to each other.
People are going to label you anyway, but the one that bugs me the most is when they say, 'One of the funniest female comedians.' There's s no 'funniest male comedians.' You're either a funny comedian, or you're not!
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