A Quote by Jerry Spinelli
Stargirl began to improvise. She flung her arms to a make-believe crowd like a celebrity on parade. She waggled her fingers at the stars. She churned her fists like an egg-beater. Every action echoed down the line behind her. The three hops of the bunny became three struts of a vaudeville vamp. Then a penguin waddle. Then tippy-toed priss. Every new move brought new laughter from the line.
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But there was not a moment when she did not see Carol in her mind, and all she saw, she seemed to see through Carol. That evening, the dark flat streets of New York, the tomorrow of work, the milk bottle dropped and broken in her sink, became unimportant. She flung herself on her bed and drew a line with a pencil on a piece of paper. And another line, carefully, and another. A world was born around her, like a bright forest with a million shimmering leaves.
Her little fists pummeled at him, and he accepted the abuse. Until he realized she’d made an improper fist and was actually hurting herself. He wound an arm around her waist, spun her and slammed her into the hard line of his body to still her. “Let me go!” “In a minute.” As she struggled, he pulled her thumb out from beneath her fingers and rearranged her fist. “Hit like this.” Done, he released her.
She lowered her head until it was at his level. He stroked the line of her jaw, and then pressed his forehead against her hard snout and held her as tightly as he could, her scales sharp against his fingers. Hot tears began to slide down his cheeks. 'Why do you cry?' she asked. 'Because... I'm lucky enough to be bonded with you.' 'Little one.
Kim's gripe with humans was nothing new. She, like the rest of the Guardians, put her life on the line every time she faced demons and was entitles to her own opinion. Sometimes I wish she would tall in love with a human. That would shut her up.
She bent her finger and then straightened it. The mystery was in the instant before it moved, the dividing moment between not moving and moving, when her intention took effect. It was like a wave breaking. If she could only find herself at the crest, she thought, she might find the secret of herself, that part of her that was really in charge. She brought her forefinger closer to her face and stared at it, urging it to move. It remained still because she was pretending... . And when she did crook it finally, the action seemed to start in the finger itself, not in some part of her mind.
The Girl of the Period, sauntering before one down Broadway, is one panorama of awful surprises from top to toe. Her clothes characterize her. She never characterizes her clothes. She is upholstered, not ornamented. She is bundled, not draped. She is puckered, not folded. She struts, she does not sweep. She has not one of the attributes of nature nor of proper art. She neither soothes the eye like a flower, nor pleases it like a picture. She wearies it like a kaleidoscope. She is a meaningless dazzle of broken effects.
Pearl rolled a tiny pink speck in her fingers, possibly part of Rose's new leg that I'd tried so hard to make a good match. Pearl laughed and flicked it away as if it was snot out of her nose. I suddenly couldn't stand it. I rushed at her.She saw I wasn't playing around. She ran for it but I caught up with her along the landing. I punched her hard in the chest and she staggered back wards - back and back, and then she wobbled and went right over, down the stairs.
She sat leaning back in her chair, looking ahead, knowing that he was as aware of her as she was of him. She found pleasure in the special self-consciousness it gave her. When she crossed her legs, when she leaned on her arm against the window sill, when she brushed her hair off her forehead - every movement of her body was underscored by a feeling the unadmitted words for which were: Is he seeing it?
Imagine the first Burmese "giraffe woman"; she was probably a local icon in her village in the way she put the rings around her neck to sell her craft. Then she became a celebrity, so all of the wannabes started following her in that uncomfortable and unhealthy trend. But is that so different from Pamela Anderson? I don't think so.
I was bullied by my siblings and cousins, so make-believe was a way in which I could be in charge. When I was like 10 and my sister was about five, I convinced her that she was going to jail because she used a bad word. The doorbell happened to ring, and I told her it was the police. I made her pack her bags. She was crying, and then I said to her, "I forgive you, and I'm gonna tell the cop to go away." Then, of course, she loved me. It was terrible - she still remembers it. I had a sordid sense of humor.
She lay on her back and walked her fingers down her ribs, skipped them over her abdomen, and landed on her pelvic bones. She tapped them with her Knuckles. [. . .] I can hear my bones, she thought. Her fingers moved up from her pelvic bones to her waist. The elastic of her underpants barely touched the center of her abdomen. The bridge is almost finished, she thought. The elastic hung loosely around each thigh. More progress. She put her knees together and raised them in the air. No matter how tightly she pressed them together, her thighs did not touch.
Let me explain it to you then. I just had a beautiful girl trust me enough to touch her and see her in a way no one else ever has. I got to hold her and watch her and feel her as she came apart in my arms. It was like nothing else I'd ever experienced. She was breathtaking and she was responding to me. She wanted me. I was the one making her spiral out of control.
She was beautiful, but not like those girls in the magazines. She was beautiful, for the way she thought. She was beautiful, for the sparkle in her eyes when she talked about something she loved. She was beautiful, for her ability to make other people smile, even if she was sad. No, she wasn't beautiful for something as temporary as her looks. She was beautiful, deep down to her soul. She is beautiful.
In a way, her strangeness, her naiveté, her craving for the other half of her equation was the consequence of an idle imagination. Had she paints, or clay, or knew the discipline of the dance, or strings, had she anything to engage her tremendous curiosity and her gift for metaphor, she might have exchanged the restlessness and preoccupation with whim for an activity that provided her with all she yearned for. And like an artist with no art form, she became dangerous.
For a split second longer she stood motionless. Then, somehow, she had caught at the front of his shirt and pulled him toward her. His arms went around her, lifting her almost out of her sandals, and then he was kissing her—or she was kissing him, she wasn’t sure, and it didn’t matter. The feel of his mouth on hers was electric; her hands gripped his arms, pulling him hard against her. The feel of his heart pounding through his shirt made her dizzy with joy. No one else’s heart beat like Jace’s did, or ever could.
The cycle hit the beach and spun out. Emma went into a rolling crouch as she flew free of it, keeping her elbows in, pushing the air hard out of her lungs. She turned her head as she hit the sand, slapping her palms down to roll herself forward, absorbing the impact of the fall through her arms and shoulders, her knees folding up into her chest. The stars wheeled crazily overhead as she spun, sucking in her breath as her body slowed its rolling. She came to a stop on her back, her hair and clothes full of sand and her ears full of the sound of the wildly crashing ocean.
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