Anything worthwhile is hard, and dancing is very hard, and if you've ever studied dancing of any kind you'd know that to be in precision, three people dancing together.
I can see lights in the distance trembling in the dark cloak of night Candles and lanterns are dancing, dancing a waltz on All Souls Night.
I think if transvestites don't stand up for themselves, nobody else is going to stand up for transvestites.
It is convenient for Hillary Clinton and Tony Blair to say the rise of the Islamic State has nothing to do with the Iraq War because that takes the culpability off their shoulders. The Islamic State is a product of the Iraq War. It took about a 100 years to build the Iraqi state, and the Americans and the British destroyed it in an afternoon.
Consumerism diverts us from thinking about women's rights, it stops us from thinking about Iraq, it stops us from thinking about what's going on in Africa - it stops us from thinking in general.
For 'Thunderstruck', I discarded about a dozen ideas. And then one afternoon, I was thinking about wireless. I don't know why. I guess because it's become so ubiquitous. I was thinking that maybe there's something I could do about the origin of wireless, so I did what any self-respecting person does these days: I Googled 'wireless.'
It's very hard to understand just what our strategy is in Syria, frankly, and on Iraq that this is Iraq's war, that the role of the United States is to help Iraq, to arm, train, support, provide air support, but this has to be Iraq's war.
The man I marvel at is the one that's in there day after day, and night after night and still puts the figures on the board. I'm talking about Pete Rose, Stan Musial, the real stars. Believe me, especially the way we travel today, flying all night with a game the next night and then the next afternoon, if you can play one-hundred and sixty-two games, you're a man.
When I was eight, I would go crazy dancing in marriages. During Ganpati, I would dance on the street all night. I loved music and would be mad about dancing.
Your passion is that one thing you can't stop thinking about, that thing you wake up thinking about in the morning, go to sleep thinking about at night, that thing that you would do for free!
Dancing all night and then vocal lessons right after was hard and not unusual - but I enjoyed it.
Directing is: you're overwhelmed the whole time. Your mind never stops. If you care about it. You wake up in the morning and you begin thinking about it and then you go to sleep at night and you're still thinking about it.
The fastest, cleanest, most joyful way to break out of your own box is by dancing. I'm not talking about doing the stand-and-sway. I'm talking about dancing so deep, so hard, so full of the beat that you are nothing but the dance and the beat and the sweat and the heat.
There was a lot of dancing in '76, '78, in the '80s. A lot of dancing. The burn years. A lot of dancing. And for a while, working fit in with all that. 'Moonlighting' - that wasn't acting. It was people telling me 'Let's create a character who is you, so you can play him the way you are. The guy you are at night.' It was fun.
The wounds were burning like suns at five in the afternoon, and the crowd broke the windows At five in the afternoon. Ah, that fatal five in the afternoon! It was five by all the clocks! It was five in the shade of the afternoon!
I work for perfection, for perfection's sake. I don't care what the external reasons are. And it's much more like a ballerina on opening night. You've done what you've got to do. When you go out, the purpose is to turn a perfect turn. You are not thinking about the future of the company, you are not thinking about your future, you're not thinking about the critics, it is you and the perfect turn.