A Quote by Jerry Stahl

The Adderall Diaries is phenomenal. With jittery finesse and a reformed tweaker's eye for detail, Stephen Elliott captures the terrifying, hilarious, heart-strangling reality of a life whose scorched-earth physical and psycho-emotional dimensions no one could have invented - they absolutely had to be lived. By all rights, the author should either be dead or chewing his fingers in a bus station. Instead, he may well have written the memoir of an entire generation.
In order that the mind should see light instead of darkness, so the entire soul must be turned away from this changing world, until its eye can learn to contemplate reality and that supreme splendor which we have called the good. Hence there may well be an art whose aim would be to effect this very thing.
Ancient history has an air of antiquity. It should be more modern. It is written as if the specator should be thinking of the backside of the picture on the wall, or as if the author expected that the dead would be his readers, and wished to detail to them their own experience.
I have never written the music that was in my heart to write; perhaps I never shall with this brain and these fingers, but I know that hereafter it will be written; when instead of these few inlets of the senses through which we now secure impressions from without, there shall be a flood of impressions from all sides; and instead of these few tones of our little octave, there shall be an infinite scale of harmonies - for I feel it - I am sure of it. This world of music, whose borders even now I have scarcely entered, is a reality, is immortal.
Kafka could never have written as he did had he lived in a house. His writing is that of someone whose whole life was spent in apartments, with lifts, stairwells, muffled voices behind closed doors, and sounds through walls. Put him in a nice detached villa and he'd never have written a word.
Going from memoir to fiction was fantastic. I had been afraid to move away from memoir; I'd written some novel drafts, but they weren't well received by my agent at the time, and it had been drilled into me that "memoir outsells fiction two to one" (not sure if that's true anymore, or if it ever was), so I felt like the only smart thing to do, professionally, was to keep mining my life for painful moments to recapitulate.
I went to NYU graduate film school and met Pam [Romanowsky], and after doing a few things with her I thought she had the right sensibility and that she could figure it [The Adderall Diaries] out.
Crushed to earth and rising again is an author's gymnastic. Once he fails to struggle to his feet and grab his pen, he will contemplate a fact he should never permit himself to face: that in all probability books have been written, are being written, will be written, better than anything he has done, is doing, or will do.
My best friend Rosemarie and I had a very involved secret life when we were in elementary school. After we saw 'The Day the Earth Stood Still' on TV, we invented a whole secret life in which we were twins from the planet Venus, and we were in charge of the entire solar system as well as Earth.
Who knows better than you what it means to have a commander-in-chief who lived his entire life, who lived throughout the entire Cold War, and doesn't know what the nuclear triad is? It's absolutely astonishing. And so it's terrific to have Joe Dunford and you know, perhaps John Bolton and other people in positions of trust.
In my estimation, there are four kinds of people that live on this earth: average, good, great, and phenomenal. Phenomenal is like Mother Theresa. She's dead, but we still talk about her on a regular basis. That's phenomenal.
For this generation, ours, life is nuclear survival, liberty is human rights, the pursuit of happiness is a planet whose resources are devoted to the physical and spiritual nourishment of its inhabitants.
I was reading C.S. Lewis with my mom, and she was pointing out that he was dead, and I'm like, 'What do you mean he's dead?' We were in this world he created, and he was gone from the Earth. Yet in those black marks on a white page, his imagination lived on, his voice lived on. That is so miraculous.
My grandmother could never have written a memoir, so 'The Gravedigger's Daughter' is a homage to her life, and to the lives of other young women of her generation, which are so rarely articulated.
On a spectrum of literary productions, memoir is just another form. If the person doing the reviewing or critiquing was ill-educated about literary forms, they could write something dunderheaded about the author or their life (I've seen these and barfed at them), but anyone who is well-practiced and educated in literature - why would they leave that at the door when entering memoir?
I could have written a misery memoir and instead I tried to make it funny. I never complained.
It just makes me realize how . . . fleeting life can be. How quickly it all passes by. And it's strange to read something written by someone whose life was really just beginning then but who's dead now."He nodded, looking like he was taking that in. But then he said, "That's kinda deep, Daisy."She laughed, rolled her eyes. "Well, you asked. So if that's too deep for you, tell me about your fish.""Well, they were small and blue and I feel emotional because their lives were really just starting but they're dead now.
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