A Quote by Jerry Van Dyke

I've always done comedy, and I've always wanted to do a dramatic role. I wanted to be a sheriff. — © Jerry Van Dyke
I've always done comedy, and I've always wanted to do a dramatic role. I wanted to be a sheriff.
I consider my comedy to be dramatic comedy. I always wanted music underscoring the dramatic monologue. It was always drama with comedy, in my head.
This is a boyhood dream, but I've always wanted to play the sheriff. I've wanted to be in a Western, in the hat, playing the sheriff.
I really wanted to do some serious work. I really wanted to be a part of dramatic films. I wanted to show this talent, whatever that means, that I could be a dramatic actress as well. But the truth is, a) I don't know if I can, and b) I love doing comedy, and I felt almost a little embarrassed that I succumbed to the pressure. Vanity is really what it is. I feel really grateful that I am in comedy, and I love doing it.
I always wanted to be Gene Hackman and I always wanted to be, you know... I wanted to be one of these guys. I always wanted to be Bob Duvall.
I always wanted to do an emotional role but was rejected a couple of times because the directors felt that I have always done negative roles and so I wouldn't fit the bill. That was dejecting.
I always wanted to do a comedy, but I wanted to pick the right one. But it came down to working with Steve Carell. I've wanted to work with him since I met him years ago as a kid.
I've done what I've always wanted to do. But as one Senator said, just because you're doing what you've always wanted to do, it doesn't mean you have to do it forever. And it's very taxing in terms of the travel, the running around.
I'd always wanted to be a dramatic. Comedy comes more naturally to me. I can do it with more facility. So I feel more comfortable with it.
One of the reasons you take a role is because it's something you always wanted to do, from going to the movies as a kid. I always wanted to do a 1950s movie, for example. And I got a chance to be in 'Peggy Sue Got Married.' I would have taken only one line of dialogue to be in that.
I haven't wanted to portray a manager since Paul E. Dangerously was with the Samoan Swat Team in 1989. I've always wanted to do some different presentation in that role. I don't consider myself a manager - I'm an advocate, and I truly believe that that is the description for the role that I play.
I was always a tomboy. I always wanted to be around the boys, always wanted to play sports - basketball, football, kickball, whatever it was. I was real aggressive. I wanted to be around the bros!
When I finally got my break in TV, as a staff writer, I always wanted to be at the top of that pyramid. I always wanted to make the decisions. I always wanted to be the one that was saying, "This is what the show is, and this is what the show is not. This is where we're going. It's going to be this kind of series." It was just something I always had my eye on, when I started in the business.
I have always wanted to do something high octane. I've wanted to tackle an action role where I play a tomboy but empower myself as a woman.
I always found the dramatic side of things easier than the comedy, because there's so many ways to do comedy, and it's also subjective. Someone might not laugh at what you do, whereas if you're going to do a dramatic scene, there's usually only one way you can do it.
I've always wanted to do a real comedy. I haven't done enough, and it seems silly not to do more, considering the fact that people tend to laugh at me.
I always liked acting in school and drama classes, but when people asked me what I wanted to be when I grew up, I always told them I wanted to be a singer. I didn't want to be a jack of all trades. I wanted to master one.
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