A Quote by Jerry Weintraub

I do characters. I believe in that. I think people are interesting. Now, everybody that you meet in New York City thinks that their life is a movie. — © Jerry Weintraub
I do characters. I believe in that. I think people are interesting. Now, everybody that you meet in New York City thinks that their life is a movie.
In New York City there are interesting characters and there are interesting stories. There's a story on every street corner. I love it. I think that's what really attracts me to making films.
I've lived in New York City all my life. I love New York City; I've never moved from New York City. Have I ever thought about moving out of New York? Yeah, sure. I need about $10 million to do it right, though.
I feel the change. I feel the relationship with New York changing. It's a personal relationship you have with the city when you move there. I definitely romanticize the early 2000s. As much as I prefer the city then as opposed to now, I'm sure if I were 23 and I moved to the New York of right now, I could have the same exact experience. I don't really hate the cleaning up of New York, even though it's not my preferred version of New York.
I live in a little suburb close to Kansas City called Prairie Village, where there's a feeling of everybody knowing everybody else. I think the same thing is true of New York City, by the way.
If you didn’t believe it before — and it’s easy to understand how you might have been sceptical on this point — if you didn’t believe it before, you can absolutely believe it now: New York City is the greatest city in the world.
New York City is crazy; there are people everywhere. New York is the best city in the world, I think. You have everything there.
I guess, technically, I went to a New York City high school, but I wouldn't call myself a New York City kid. But I've played against city kids all my life. So that kind of instills something in you.
There was a kind of cultural life in New York that wasn't as solidified as it is now, it wasn't as money-driven. If you look at the size of the successful art galleries compared to the size of galleries now - there was no such thing as the Gagosian Gallery or Pace Gallery. But it was a time when magazines were a vital part of American life, and Esquire gave me a free pass to every world - I could get to the art world, the theater world, the movie world. It allowed you to roam through the cultural life of New York City.
I'm from New York, and I started in New York, which I think is a huge advantage because I wasn't overwhelmed by the city. I understood the city. All of the distractions that could come with somebody that started comedy in New York didn't really happen for me.
The first time I came to New York - and the first time I saw the movie 'Paris Is Burning' - I learned about the homeless LGBT culture in New York City that goes back to the '80s. I found that very interesting, and it's definitely something that I care about.
When I became mayor of New York City, I had a $2.4 billion deficit. And everybody wanted me to raise taxes. I said, 'If I raise taxes, I'll drive people out of New York City, and then I'll be raising taxes again.' So what I did was I cut expenses by 15 percent.
You know that's why people don't like unlikeable characters. It's not that they're not interesting. Everybody knows the most interesting character in a book or a movie or whatever narrative is the villain.
When I started writing, most of the police department in New York City, especially above the rank of detective, were Irish, Irish-American. I thought it would be more interesting... to use the actual ethnic background in New York City at the time.
My parents retired to New York City, and my brother and both of my sisters ended up in New York City. We are all New York City transplants from Pennsylvania.
When a movie opened - if you lived in New York, you would see it at Radio City Music Hall where it would play a couple of weeks, and then you moved on to the next movie. Now you can see it the rest of your life - it's going to be on Netflix and DVD.
At first we didn't have a lot of access to New York City, but very quickly, I think people recognized if you were on the show that was a good thing. We always saw the show as a love letter to New York City.
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