A Quote by Jerry Weintraub

If you want to be in the world I live in, which is a creative world with new ideas, then you've got to get away from the norm. You've got to go for it. — © Jerry Weintraub
If you want to be in the world I live in, which is a creative world with new ideas, then you've got to get away from the norm. You've got to go for it.
We live in a world where if you're white, an upper-class male of extreme privilege, and able-bodied, and you're nothing that takes you away from that norm, then you're going to have - then the world will not assign you problems because of what you are. That is actually the world we live in.
I'm convinced that the only way to get ahead in this world is to live and sell dangerously. You've got to live beyond your means. You've got to commit yourself to an act or vision that pulls you further than you want to go and forces you to use your hidden strengths.
I've been so close on so many occasions and had so many horrendous injuries. You go from hamstring tear to hamstring tear and achilles problems and then you get MS! But you've got to keep going, which I did and I've got the kit and a world record and the world title.
You've got to invest in the world, you've got to read, you've got to go to art galleries, you've got to find out the names of plants. You've got to start to love the world and know about the whole genius of the human race. We're amazing people.
The left believes that we're an unwarranted, undeserving superpower because we're a racist, bigoted nation from our founding. So Obama presides over America's decline and tells everybody "get used to it. This is the new norm." The new norm is no full-time jobs. The new norm is government getting bigger. The new norm is you having no wage increases for 15 years. This is what the new norm is, as we entered the global marketplace. And the American people don't want any part of that. That's not America.
I got married and had a baby, so I was doing the mummy thing. I got hyperemesis and was only supposed to go away for maternity leave, but then it ended up being three or four years, and by that time, it was hard to get back into the music world, so when Drake called, it was the perfect opportunity.
I've got my life and 'Harry Potter,' where I travel the world, I make films, I meet amazing people, I do press junkets and stuff. And then I go back home to Leeds, where I live, and I've got the same friends from before.
You have got to goad yourself toward a becoming that is in accordance with what you are innate. You have got to sometimes become the medicine you want to take. You have got to, you have absolutely got to put your face into the gash and sniff, and lick. You have got to learn to get sick. You have got to reestablish the integrity of your emotions so that their violence can become a health and so that you can keep on becoming. There is no sacrifice. You have got to want to live. You have got to force yourself to want to.
I'm not here to put my music out on the Internet with no support and then say I got creative freedom. I've got creative freedom wherever I go: I don't create anything that I don't want to create. That's freedom. Since when does a company force you to make something that you don't want to make? If they do that, you leave.
If you live in a global world and you want to champion liberty in it, then you have you got to sign up to that global world.
In 'Westworld,' I really got to explore new areas, stylistically. We had the Indian world, we had Shogun world, so I got to play with new instrumentation - and also, a lot of new themes.
You've always got to have an imagination in the game we're in but it explodes on this. You get to try the costumes on before you start and feel the weight of them, which is great. But then you're opposite some of the greatest actors in the world and away you go. You find your imagination takes over without you really even thinking about it.
I want to go to Lapland and see Father Christmas, and now I've got a child, so I've got an excuse. Also, I'd like to go to South America especially as I'm now living in that part of the world, in L.A. now. And I must get down to Mexico.
As far as I'm concerned, I want to do everything because life is short. So, when I did 'The Red Violin' film, I got to go to the Oscars, and I got to meet Samuel Jackson, and I got to do stuff that one wouldn't normally do in my world.
Honestly, I got a lot of offers which were similar to 'Badlapur,' and I didn't want that. Unfortunately, we live in a world which is so myopic that they only want to offer you what you have already done.
First of all, you've got to have a vision of 'What kind of program do I want to have?' Then you've got to have a plan to implement it. Then you've got to set the example that you want, develop the principles and values that are important, and get people to buy into it.
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