A Quote by Jerry Yang

In 2010, when the Lotus Sutra was made available to me by a private dealer, I was very fortunate to be able to have it. It is very long, 30 feet or something crazy like that. It has some 15,000 very small standard script characters that the artist Zhao Mengfu in the Yuan dynasty made when he was in his 60s.
I'm very fortunate, and the movies that I've made, even from the very beginning, have been very eclectic. The thing for me is: Am I emotionally engaged in the idea? Is there something special about it? Does it capture my imagination? So everything that I do is simply something that turns me on. And I have the good fortune to be able to make bigger movies and television that ostensibly pay for the other ones. I don't mean literally finance the movies. But they allow me to work on things for very little pay. I do these things because I love them.
There are very few actors in L.A. who can call their own shots. If you're able to work on something that you actually like working on, you're a very lucky person, and if you're able to keep it going, you're very fortunate.
I feel very fortunate that I was able to be cast in roles that showed the humanity, if you will, of usually stereotypical Indian characters that made up a lot of film, like the Pawnee in 'Dances with Wolves.'
I feel very fortunate to have made my debut with Sunny Deol. I'm aware of his stardom, his popularity, and his reach. I'm sure that teaming up with him has made people sit back and notice me.
I made a movie in Germany called 'The Chambermaid' - it was very, very small. I think it cost €70,000 to make. I even put some money in and raised some money for it. It was real German arthouse... It goes, somehow, out there on the Internet, and it goes on iTunes.
Travelling as extensively as I do... the take away for me has made me very humble and very sympathetic to other people's plight in the world and very desirous of being proactive in being part of a solution somehow and not part of a problem. It's made me very patient and very grateful for where I live.
When I was 15, I made a solo record. It made Artie very unhappy. He looked upon it as something of a betrayal.
My parents and grandparents always made me feel fortunate. I'm in a position to help others feel the same. It's just in my heart and is something I feel very very strong about.
I have been playing acoustic music for a very long time, and it's something that I am very comfortable doing, so if I made a record, it would probably be a mixture of that and some other things that I'm interested in.
I just think that I was very fortunate to have had the opportunity to work with some very fine filmmakers in the industry. I worked with some wonderful people on some really interesting projects. So I consider myself very fortunate.
Acting, believe it or not, can get very self-involved! I feel fortunate to have been able to work on things with people who have a very specific point of view and perspective, and who feel like they're doing something very active.
I blew through all my money and made some very bad decisions. I had this scam artist scam me real bad and was embezzled over $175,000.
The Champions League was something very distant for us. I grew up in a very small town with 50,000 inhabitants, and it was a way of being able to watch my idols or people I admired play football on television.
There were very, very large sums of money that I made when I was very young - 15 million published works and a great many successful movies don't make nothin'.
Moonlight is very honest and very special to me. I feel like this is the most personal music I've made, by far. I'm very proud of it and I'm very excited. It's scary...it's vulnerable and kind of terrifying.
My art in the last period has all been in small format, but my paintings have become even deeper and more spiritual, speaking truly through colour. Feeling that because of my illness I would not be able to paint very much longer, I worked like a man obsessed on these little 'Meditations' (a long series of small paintings he made during the last years of his life, with as main motif the schema of a face, ed.). And now I leave these small but, to me, important works to the future and to people who love art.
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