A Quote by Jerusha Hess
And our experience in England was that. It was a delight. I had never even been to England and I got to spend five months there in a beautiful estate and just party with these gorgeous men and women and poke fun at their beloved genre, which they all loved. We teased it, but it's so gentle, that you're still swept away the whole time.
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I studied Italian five hours a day for many months to ensure I could communicate with the players, media and fans. [Claudio] Ranieri had been in England for five years and still struggled to say 'good morning' and 'good afternoon.'
I'm popular in the United States and I'm popular in England. England is just more concentrated. The people are closer together. Venues are closer together. Many albums of mine have been popular in England, but, no hit singles. All the hit singles I had were before I went to England. So, I'm not necessarily more popular in England, I'm just popular in England, and more so for my performances than hit records. But, I enjoy doing concert halls all over America, England, Scotland and Australia.
My agents were like "Come to L.A., we've got meetings for you." I was like "No, I'm doing this now." Then my father became very ill back in England, and I didn't want to be away. I went back to England and did a bunch of crazy indie movies, all of which I loved with a passion, and none of which did any business.
This because it is never really very cold in England. It is drizzly, and the wind will blow; hail happens, and there is a breed of Tuesday in January in which time creeps and no light comes and the air is full of water and nobody really loves anybody, but still a decent jumper and a waxen jacket lined with wool is sufficient for every weather England's got to give.
And still I look for the men who will dare to be
roses of England
wild roses of England
men who are wild roses of England
with metal thorns, beware!
but still more brave and still more rare
the courage of rosiness in a cabbage world
fragrance of roses in a stale stink of lies
rose-leaves to bewilder the clever fools
and rose-briars to strangle the machine.
Six months ago I had never been to England, and, certainly, I had never sounded the depths of an English heart. I had known the shallows.
I went to England for five months when I was in high school, by myself, so I did experience a bit of being the fish out of water.
Basically, this industry is mostly run by men, and I think women have a harder time...I've had enough of the "Women in Rock" issues of magazines and all of that. There's no reason why we should have our own separate little genre; that's just ridiculous. Besides, what is the genre? I certainly don't fit into the whole "Lilith" thing (thank God), but I am a female musician. And there are enough other great females in music that don't have to fit into it, either.
I bought a house in England in 1990, shortly after my father died, hoping to come home to England and spend time with my family.
I loved working with Malcolm [McDowell]. He's been such an important person in my life. I mean, not just as someone I was married to, which is huge, and the father of my children, which is even bigger, but also as a friend and an inspiration and somebody who probably helped to fuel something that all my reading as a child had already started, which was a love of England and the world of the theater over there, which I became involved with through him and probably because of him.
I like women who haven’t lived with too many men. I don’t expect virginity but I simply prefer women who haven’t been rubbed raw by experience. There is a quality about women who choose men sparingly; it appears in their walk in their eyes in their laughter and in their gentle hearts. Women who have had too many men seem to choose the next one out of revenge rather than with feeling. When you play the field selfishly everything works against you: one can’t insist on love or demand affection. You’re finally left with whatever you have been willing to give which often is: nothing.
I got tired of Los Angeles, and I got tired of the game a bit. I wanted to have a different life experience, so I moved to England, and I lived in England for eight years, and I worked there.
If I could have made the change sooner I daresay I should never have given a thought to the literary delights of Paris or London; for life in the country is the only state which has always completely satisfied me, and I had never been allowed to gratify it, even for a few weeks at a time. Now I was to know the joys of six or seven months a year among fields and woods of my own, and the childish ecstasy of that first spring outing at Mamaroneck swept away all restlessness in the deep joy of communion with the earth.
I think people have this idea that I just lived in my place in England and never left. During 'Looking,' I was in America for four years. I've got a green card. I spend half my time there. It doesn't feel like an alien world at all.
I've really loved steampunk for a long time, ever since 'Wild Wild West,' and it's always been a genre and an era that's fascinated me. But so often it's set in England, and that doesn't really resonate with me, or maybe it just seems a little overdone.
I've realized as well after five years of being on the road that if I'm going to four or five months of my life to something even if I'm overpaid, it's four or five months of my life away from home, away from my son, away from family and friends. I better believe in it on some level even if it's a big movie.
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