A Quote by Jerzy Grotowski

It is not theatre that is indispensable, but something quite different. To cross the frontiers between you and me. — © Jerzy Grotowski
It is not theatre that is indispensable, but something quite different. To cross the frontiers between you and me.
I'm all in favor of being able to imagine new frontiers with the aid of technologies, but I want a more compassionate approach that also recognizes that every time you're talking about new frontiers, there will be certain kinds of costs attached. There will be people who don't quite understand how to handle email who will decide to have private servers and then not know how to excuse themselves when it may be something as simple-minded as they were a little too far along in their lives to really figure out how to go back and forth between two different accounts.
There's a certain type of theatre that I haven't got any time for at all - established, boring, same-old stuff without any reason or passion. There's quite a lot of it about, and it motivates me to try to do something different, something risky, raw, ugly, and challenging.
I was interested in the ways that artists responded to totalitarianism - the Czech Jazz Section, Romanian absurdist theatre, Brecht's alienation effect. The anything-goes, anarchic qualities of jazz and Surrealism seemed to offer a way to cross some of the forbidden frontiers of Eastern Europe.
If I'm in theatre, cinema doesn't even cross my mind. Similarly when I'm making a film, theatre doesn't cross my mind.
I am quite familiar with the vibrant theatre scene in Bengaluru, as I keep coming back to the city with my plays. Audiences here appreciate arts and are open to different types of theatre and acting techniques.
I started off doing stuff in theatre in Letterkenny from quite a young age. It was just a hobby, something I enjoyed. Some kids like tennis or guitar. I just enjoyed musical theatre so my parents got me into classes.
I did try theatre out when I was little. I did roles as a child actress. My parents didn't push me into it. But I was up for it. I didn't enjoy doing eight shows a week, though. That repetitiveness didn't appeal to me. I love doing something different every day and travelling. You can't do that in the theatre.
I think my style is kind of a cross between a skater hippie and an R&B star. If there were something I was going to endorse, it would probably be something like sneakers. Something that would be me.
As my passion is theatre when I do a film I'm taking time out from my theatre career. So, I'm desperate to get back into the theatre. So, I have to make sure that I put my foot down, especially with the agents and stuff, and say: "Hey no, I'm doing some theatre!" It is hard but it matters so much to me that it's just something that's going to be necessary and people will have to deal with it.
Life is elsewhere. Cross frontiers. Fly away.
I don't have a preference between theatre and film; I like to do both. But I will say that there's something about theatre that is more nourishing and sustaining than film ever can be.
In much postmodern theatre ... the line between theatre and non-theatre is deliberately erased.
You don't become indispensable merely because you are different. But the only way to become indispensable is to be different. That's because if you're the same, so are plenty of other people.
People who have never done theatre before, and have only worked in front of a camera, would find it very difficult, I think, to know how to command a stage and work with the logistics of being on stage. They're very different. The theatre is quite tricky, actually.
The Theatre of the Absurd has renounced arguing about the absurdity of the human condition; it merely presents it in being - that is, in terms of concrete stage images. This is the difference between the approach of the philosopher and that of the poet; the difference, to take an example from another sphere, between the idea of God in the works of Thomas Aquinas or Spinoza and the intuition of God in those of St. John of the Cross or Meister Eckhart - the difference between theory and experience.
In theatre, once you've got the character and you've got things together, you can relax into it. Film has a different feel - you don't get that through line of not stopping. Theatre is like a snowball gathering momentum and getting bigger, whereas in film, it's a bit stop and start - but you do tend to adjust to that quite easily.
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