A Quote by Jesmyn Ward

I think my love for books sprang from my need to escape the world I was born into, to slide into another where words were straightforward and honest, where there was clearly delineated good and evil, where I found girls who were strong and smart and creative and foolish enough to fight dragons, to run away from home to live in museums, to become child spies, to make new friends and build secret gardens.
I went to the Convent of the Sacred Heart for four years. It was interesting to me because, in a family where men were clearly favored over women, this was an atmosphere, a world, run by strong, determined, smart women in leadership, who had high expectations of the girls, and this tremendous sense of love and commitment to the wider world.
Until I read Anne Frank's diary, I had found books a literal escape from what could be the harsh reality around me. After I read the diary, I had a fresh way of viewing the both literature and the world. From then on, I found I was impatient with books that were not honest or that were trivial and frivolous.
Sometimes I think that if it were possible to tell a story often enough to make the hurt ease up, to make the words slide down my arms and away from me like water, I would tell that story a thousand times.
Each of us has a vision of good and of evil. We have to encourage people to move towards what they think is good... Everyone has his own idea of good and evil and must choose to follow the good and fight evil as he conceives them. That would be enough to make the world a better place.
Fairy tales were not my escape from reality as a child; rather, they were my reality -- for mine was a world in which good and evil were not abstract concepts, and like fairy-tale heroines, no magic would save me unless I had the wit and heart and courage to use it widely.
People were really staying away from me. And that's kind of when I split up with all my best friends at school - they were going, "Something's happened to her, she's totally weird" - and found my new friends, who were Beatles fans.
There was another reason [she] took her books whenever they went away. They were her home when she was somewhere strange. They were familiar voices, friends that never quarreled with her, clever, powerful friends -- daring and knowledgeable, tried and tested adventurers who had traveled far and wide. Her books cheered her up when she was sad and kept her from being bored.
People are looking for a simplicity in their fictional worlds where good and evil are clearly delineated, that you can't find in the real world, and that provides an enormous comfort - and that, I think, has an awful lot to do with the reason fantasy is so popular.
My parents were wonderful people, but there were terrible rows between them, and at times I found the atmosphere at home unbearable. The Arthur Ransome books gave me an alternative childhood and the tools to escape.
I think they [ monastic folks ] were going to the desert to build a new society and in a sense to build a new world, a new culture together where it was easier to be good and holy.
You said a bad driver was only safe until she met another bad driver? Well, I met another bad driver, didn't I? I mean it was careless of me to makes such a wrong guess. I thought you were rather an honest, straightforward person I thought it was your secret pride." "I'm thirty," I said. "I'm five years too old to lie to myself and call it honor." She didn't answer. Angry, and half in love with her, and tremendously sorry, I turned away.
Turing was uncompromisingly honest. As soon as he didn't think you were interesting or smart, he'd just turn around and walk away, even if you were in the middle of a sentence.
We were born with a natural tendency to focus on love. Our imaginations were creative and flourishing, and we knew how to use them. We were connected to a richer world, a world full of enchantment and a sense of the miraculous. What happened?
You're always in a box, and you're an escape artist if you do what I do - or if you're a creative person, period. You build your box, and then you escape from it. You build another one, and you escape from it. That's ongoing.
With both Caddyshack and Vacation, it's not like the subjects were serious enough that they engaged my interest for another round. I love the characters, and the actors were great, but I didn't see the need to make another Vacation movie.
Right where you are is where you need to be. Don't fight it! Don't run away from it! Stand firm! Take a deep breath. And another. And another. Now, ask yourself: Why is this in my world? What do I need to see?
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