A Quote by Jesmyn Ward

Great trouble breeds great art, I think. — © Jesmyn Ward
Great trouble breeds great art, I think.
I think great writers should write great shows, and I have trouble with, like, what you are in life shouldn't automatically make you what you do in your art. It doesn't necessarily translate.
I think you write only out of a great trouble. A trouble of excitement, a trouble of enlargement, a trouble of displacement in yourself.
Great art is a regional thing. I'm not saying my art is great. I recognize what I think is great about music is often on a regional level.
Not only do you need great lyrics, a great message, a great story, great vocals, great chords... you also need great instrumentation, great editing, great sonics, great mixing, and great mastering. It all comes together to make something truly great, and I think each element combines together to create a powerful impact on the consumer.
Like great art, something essential dies when great jokes are explained. So what's the key to telling a good joke/creating great art timing.
Wild liberty breeds iron conscience; natures with great impulses have great resources, and return from far.
Great Art is Great because it inspired you greatly. If it didn't, no matter what the critics, the museums and the galleries say, it's not great art for you.
I've heard people say that the trouble with the world is that we haven't enough great leaders. I think we haven't enough great followers. I have stood side by side with great thinkers - surgeons, engineers, economists; people who deserve a great following - and have heard the crowd cheer me instead.
When I ask myself what are the great things we got from the Renaissance, it's the great art, the great music, the science insights of Leonardo da Vinci. Two hundred years from now, when you ask what are the great things that came from this era, I think it's going to be an understanding of the universe around us.
I don't think we have to suffer personally to make great art. If you're prepared and organized, and you know what you're looking for, you can make great art and then go home.
I like art with a sense of humor. I don't have a huge art education to understand everything. I don't think that means that art has to be watered down to the lowest common denominator, though. I don't think you have to go to college to be able appreciate great art, but I like art that doesn't take itself too seriously.
Great art - or good art - is when you look at it, experience it and it stays in your mind. I don't think conceptual art and traditional art are all that different.
I don't think we live in those times when great art comes out of great adversity.
Feminist art is not some tiny creek running off the great river of real art. It is not some crack in an otherwise flawless stone. It is, quite spectacularly I think, art which is not based on the subjugation of one half of the species. It is art which will take the great human themes -love, death, heroism, suffering, history itself -and render them fully human. It may also, though perhaps our imaginations are so mutilated now that we are incapable even of the ambition, introduce a new theme, one as great and as rich as those others -should we call it joy?
People don't really have a relationship with great writing or great production or great art direction or great direction. They just sort of admire it.
Our leading men are not of much account and never have been, but the average of the people is immense, beyond all history. Sometimes I think in all departments, literature and art included, that will be the way our superiority will exhibit itself. We will not have great individuals or great leaders, but a great average bulk, unprecedentedly great.
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