A Quote by Jess Glynne

I've always been quite an eccentric character. I love going out and partying; I'm a very sociable creature. — © Jess Glynne
I've always been quite an eccentric character. I love going out and partying; I'm a very sociable creature.
When you're working so much, it's so hard. When you do have time off, or when I had time off, rather than going out and seeing loads of people and being really sociable, I was always quite a homebody.
I always bring at least 15 to 20 percent of Tiffany to every character that I do. Like when I read 'Girls Trip,' I was like, 'Who been partying with me? Somebody been hanging out with me and done stole some stuff.'
Going to Nashville to meet the in-laws was the first time when I'd been in America and not been seen as some sort of eccentric character with a cute accent.
I love to see how a character unfolds off the page in a project. I don't always know how the character is going to turn out, even with the script being there. It's not always clear where that character is going to take me. Or where I will take them.
I've always been interested in the rest of the world. My family is very eccentric; my parents have always been very supportive of travel and doing whatever I thought I needed to do.
I do things I love doing. Sometimes that is maybe going out to have a drink with friends, going out partying or whatever.
If my character is over the top talking about partying and chicks and living the dream, then I'm going to go out and want to party more.
I love going out. I love partying.
I love when you take bizarre, non-human things and somehow make them human or accessible. I think that's why I like the practical effects. You can look at a creature and still see vulnerability or the character behind the creature. To get character behind CG creatures, that's so few and far between.
They're very sociable occasions and there's no barriers between us and the audience. It's customary that after our performances, we go out into the foyer and spend an hour or so signing autographs for the fans and having our pictures taken with them.We strongly believe that going out front to meet the fans is just as important as playing the gigs - and we all love a good natter!
People do call her eccentric, moody but with me she has always been the same. I always talk about love with Rekha.
[Maigret Sets a Trap] was always going to be the first film, and it seemed to be quite a nice story. But of course it meant that here I was playing this new character for the first time, in a place where he had been a relative failure, as all these people had been murdered and the pressure was on. Rather than starting optimistically with his pipe in front of the fireplace, he was in quite a difficult place.
I've always been very strong minded on character-based fights and character-based action. If you take the character out of the action and you just shoot it as an action sequence, the audience starts to lose connection.
Since we are not yet fully comfortable with the idea that people from the next village are as human as ourselves, it is presumptuous in the extreme to suppose we could ever look at sociable, tool-making creatures who are from other evolutionary paths and see not beasts, but brothers, not rivals, but fellow pilgrims journeying to the shrine of intelligence...The difference... is not in the creature judged, but in the creature judging.
I look up to the older generation of men - Arthur Scargill, Tony Benn, Jeremy Corbyn - but my main role model has been my step-granddad Jim. He's brilliant, very political, quite eccentric.
I'm not comfortable with getting a job by being at the right Hollywood party; I'm not a terribly sociable creature.
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