A Quote by Jess Glynne

I was just obsessed with soul singers who had these big powerful voices. I used to listen to Aretha, Whitney, Mariah and try and imitate them, note for note and riff for riff.
I think the best singers in the world, historically, are American. Britain's got its fair share, as well, but some of the greatest singers, ever, whether you're talking about Whitney Houston or Mariah Carey or Aretha Franklin, are from the legacy here.
'The Cabin at the End of the World' is my riff on the 'home invasion' subgenre of horror/suspense. Hopefully it's a big, loud, dark riff.
It was really different this time, because we did everything in the studio and thought out the writing and song structures. Before this album ["The Black Crown"], we used to just write riff after riff and then worry about the rest of it later.
You can have the best riff in the world, but if the drums behind it just ain't vibing it, it's not gonna be the greatest riff, right? So you've gotta have someone there that can really bring that to life.
For the most part, I've been influenced by black singers and singers I couldn't sound like. Whenever I tried to do a dark note or a bent note, I would just sound like Hootie And The Blowfish.
'Blood Host' is super heavy. Especially on the verses, it has an industrial stomp. It's one of my favourite tracks just because the plot of it is so heavy. It's a total crushing tune; it doesn't get any heavier than that main riff, just a straight quarter-note powerhouse.
When I write a song, it's all about the riff - the riff first, then the words come later.
I sleep music. I wake up, and there's a riff in my head. Every step I take, there's a riff, a beat, or something.
You need particular note or rhythm in the symphony to be that minor key, or that sharp key or major chord. In musical terms, I try to hit the right note. But not alter the score of the music, just emphasize the note correctly.
To me, the hook of the riff is what makes a great guitar recording. It's the backbone of the whole song. When you have a strong riff, it's the rocket fuel for the track.
I make singers sing every note fully and wait till they hit the right note.
As a little kid, I used to lock myself in my room and put on my Whitney Houston CD's and pretend to be her and try and hit every single note that she hit. I used to dream that one day that would be me.
If you have a good riff with a vocal as well, then it becomes a devastating song. That's why people love riff-rock: it's the ultimate air guitar music.
I've heard stories of pickup bands that can't follow, but here's the thing: If you want to play with Chuck Berry, you listen to his greatest hits and learn the format of the songs, but don't try to play it note-for-note.
Lilly was not crazy. She left a serious suicide note. 'Sorry,' said the note. 'Just not big enough.
I don't remember that I copied any guitar player note-for-note. But I remember copying Charlie Parker note for note.
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