A Quote by Jess Margera
Island Records used what we built and tried to cash in on it which is so annoying. So it came time to do Carver City record and Island wanted to do it and we're just like "What's the point?" I mean, at that point they were even admitting like, "Yeah, we're just gonna do what we've always done."
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Yeah. A feeling. Like the whole point of my life from the alleys in Bangkok to the yachts and private island to coming here like a crazy person trying to fly a helicopter like all of it from birth to here point A to point Z was all some big cosmic trick to get me to meet you. - Sanjit to Lana
I call it "being interrupted by success." We had done The Soft Bulletin, which came out in 1999, and we knew we that were gonna make another record before too long. But in between this, we were still in this mode of kind of just - not re-creating what we could be, but kind of doing different things. For the longest time in the Flaming Lips we were like, "Make a record, go on tour. Come back, make another record," and you know, I think, frankly, we were kind of like, "There's more to life than just recording records and going on tour."
We were on Island Records for five or six years and we kinda just got tired of them always wanting to use our connections, all the time. It's like, they didn't really do much for us, I mean, they would give us money here and there and you know, do stuff like that but, I mean, overall, they didn't push us.
I used to wish I could write songs like the others - and I've tried but I just can't. I get the words all right, but whenever I think of a tune and sing it to the others they always say 'Yeah, it always sounds like such a thing' and when they point it out I see what they mean. But I did get a part credit as a composer on one - it was called What Goes On.
Island Records was the first record label to... acknowledge me. After that, quickly, Republic Records, and then Atlantic Records, Sony Records and Warner Bros. It was all the labels at once. It was absolutely insane, like, knowing that this many record labels were interested in me.
Sometimes I forget some of the things I've done. I recently recalled that after Watergate I went away by myself to Tahiti for a month, moving from island to island. That was a point in my life where I didn't know what was next.
I live on a lonely culinary island, built on (very thin) bedrock consisting of things I know, or believe, my family will eat. It is a small island. Fortunately, nachos are on that island with me, and nothing gets my family fired up like nachos for lunch.
I would've never tried acting. I was at this point in my life where I was like, 'I have this following; what am I gonna do?' I could've done reality TV, but I didn't see any longevity in that. And my manager was like, 'Have you ever acted before?' And I was like, 'No... but I'll try it.' And so I tried it, and I liked it.
I used to own an island in the Seychelles and had a big boat there and one day I came across some Somali pirates who were passing by on their way to re-provision their boat. They didn't even acknowledge me - which is unheard of among sailors - and it was like looking into the eyes of a black mamba.
We like to wait to a point where we have to get in there and write a record because we're just so built up.
I was at the AMC Century City movie theater with my mom, and we were walking through the lobby, and these girls came up to me, and they said, 'Are you Dallas from 'Austin & Ally' - and I was like, - yeah, yeah. And they were like, 'Can we have a picture with you?' and I was like, 'Yeah sure of course.'
For the most part I stand by all of records. I just always like the one I've done most recently the best and I think that's the whole point.
Like any form of death, at some point you just have to get up and say yeah I'll take it, whatever's gonna happen is gonna happen and sorta chop your head off. It's easy to avoid all that...there's always another moment, another girl, another high, another drug, there's always something to distract you.
I grew up in New York City. We used to diss Long Island and Jersey. Every big city has its own suburb like that.
Heartbreak is when you're just far enough away from what you desire that you can feel it. Change is the Pangaea moment. I feel like I'm at this point in my life where I have created this place, this island in the ocean, and I'm happy there.
I tried to bring in the live orchestra like Bjork does. I love the feeling that that music gives me when I just listen to it. I mean it would be awesome to do an entire record like that. But unfortunately that's not my style. So rather than do a record like that I just got inspired by it.
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