A Quote by Jess Margera

We put out a live thing, it seemed more like a bootleg though but, it would be nice to see like a concert filmed with like good cameras you know, instead of just DV cams. — © Jess Margera
We put out a live thing, it seemed more like a bootleg though but, it would be nice to see like a concert filmed with like good cameras you know, instead of just DV cams.
When 'Nil By Mouth' was released, people thought that's what we were actually like, that they'd put me and Ray in front of the cameras and filmed what came out. No acting involved.
I'm a fetish filmmaker, in that I don't know why I do what I do, I just like to see things. When I figure out what I would like to see, I will put it in a film.
I want to work very hard on music, put out a lot of nice product - good quality product - and then just help people out, like a Gucci Mane, like a Future... like a Prince, like a Michael Jackson.
If I was left to my own devices, you would see about ten T-shirts in rotation with maybe a few nice pairs of jeans - but I also like to look good. I like feeling really well put together, I just don't have the aptitude and the knowledge to do that.
I want to write my own stuff, and, you know, it would be nice to put myself in it. But I would like to hope that there are going to be better roles offered as well and that I don't need to do everything. You know, like, I appreciate my career being somewhat DIY, but it would be nice to get some help.
As readers, we remain in the nursery stage so long as we cannot distinguish between taste and judgment, so long, that is, as the only possible verdicts we can pass on a book are two: this I like; this I don't like. For an adult reader, the possible verdicts are five: I can see this is good and I like it; I can see this is good but I don't like it; I can see this is good and, though at present I don't like it, I believe that with perseverance I shall come to like it; I can see that this is trash but I like it; I can see that this is trash and I don't like it.
It's not great if someone gives you sort of bland praise without giving you clear direction and say, "This is good, let's try it like this." I have worked with someone who seemed quite inarticulate and just would say, "That's good, that's good." That's very frustrating because - it's nice to know something is good but you know it can always change.
Rather than opera, football is more like ballet or a chess game. You can really see it in a team like Arsenal, especially when Dennis Bergkamp was playing. He seemed to be able to read the game like a chessboard and knew where a player would be several seconds later and put the ball there for him.
I've been singing for a really long time and I love a lot of genres, but country just seemed like the best fit. The people in that genre are just so nice and welcoming. And that seemed so appealing. Also my voice fit it and seemed like the way to go.
My characteristics [of Ideal Black Man.] aren't as specific. I'm more general. I'm more like, I have to be able to talk to him. You know, we have to have good communications. He has to be interested in the world. You know what I mean. Like interested in learning and adventurous and curious, 'cause that's what I am. He has to be passionate about something. And it would be nice if he had a job. It's not like he has to have an MBA.
That's the nice thing about being a live act. I can get the audience, but it's for the moment. It's like, 'Can I do it tonight?' And you can see when people like you. But on record - and with the pen - it's almost for all time. Really, a lot more thought has to go into it.
As I've gotten older, I can look at myself more clearly and own the things that I'm good at and work on the things that I'm not. Like, I am not skinny. I know that if I were to lose a little weight I'd literally have more time in the morning because I know clothes would fit better. And now I can look at those things more practically. Instead of being like, "What does that say about me?," now I'm just like, "That would be great to sleep in an extra fifteen minutes because I wasn't trying on everything in my closet."
It's nice to see a story that centers around other couples, instead of having, you know, the sassy gay friend or the funny best friend or the assistant, which is just like these stereotypical roles that tend to be put in movies.
In American commercials in the past year or two, I don't know, the singers all sound like they're whining and the music's all melancholy. It's sort of like, I hear these commercials and it makes me feel sad, you know? Like - for instance, my barley tea is gone. Now, there's music out there that encourages you, when your barley tea has run out, to just sort of sit there and be like "My tea ran out. Oh, man." And just be slouching. So we wanted to make music that when your tea runs out, instead you're like, "I'm gonna go get some more tea!" You know? It just gives you the energy.
But sometimes it's like you just meet someone and you just know that you're totally connected, and this person is, like, your brother - or your sister. Even if they don't, like, recognize it, you feel it. And in a lot of ways it don't matter if they do or they don't see that for what it is - all you can do is put the feeling out there. That's your duty. Then you just wait and see what comes back to you. That's the deal.
One time I had an awkward moment on purpose, you know, just to see what it feels like. I slipped getting out of my car at a big event. I got out of the car and fell face first into the street. A lot of cameras were on me. I was pretty embarrassed. I did it on purpose, though.
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