A Quote by Jess Row
I had a lot of expectations placed on me because I was already having some success with my short stories. That was not a good situation to be in. That by itself took a long time to overcome.
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I think I succeeded as a writer because I did not come out of an English department. I used to write in the chemistry department. And I wrote some good stuff. If I had been in the English department, the prof would have looked at my short stories, congratulated me on my talent, and then showed me how Joyce or Hemingway handled the same elements of the short story. The prof would have placed me in competition with the greatest writers of all time, and that would have ended my writing career.
I started writing the book without realizing I was writing a book. That sounds stupid, but it's true. I'd been trying and failing to make a different manuscript work, and I thought I was just taking a break by writing some short stories. I'm not a very good short story writer - the amazing compression that is required for short stories doesn't come easily to me. But anyway, I thought I'd try to write some short stories. And a structure took shape - I stumbled upon it.
It took me a long time to know enough about writing to really write short stories. You can't just immerse yourself, as you do in a novel, and see where everything goes. Novels are a very flexible, accommodating form. Short stories aren't.
I had basically the same stigma that Bo Derek did -- being created by a Svengali -- which took me a long time to overcome.
When I was playing with the Truckers, a lot of really good things happened. And we had a good trajectory for a long time. For that kind of a band, for the kind of music that I've always made, we had a lot of success, I think.
I already have success. I had it a long time ago. It's nothing to do with my music. Music is secondary, at this point. The good stuff is really good, but I have success because I'm at peace and I'm a good person in my everyday life and that's important.
A lot of people have lost interest in watching England play. To get motivated to watch international football, you need your country to be having some form of success and England haven't had any for a long time now.
The Voice did not consider itself a conventional magazine. It took me awhile to realize that it was named The Voice for a reason. They wanted voices. At the time, good magazine stories were still believed to be written in the third person based on the false belief they were more objective. Of course some conventional stories require third person, but in the really interesting stories - the ones I got do to at The Voice and Esquire - were about subjectivity, subjectivities.
Many people have said to me, "What a pity you had such a big family to raise." "Think of the novels and the short stories and the poems you never had time to write because of that." And I looked at my children and I said, "These are my poems, these are my stories."
The first part of my life was to be an actor and maybe have some success at that. Then [it was time] to find somebody to be in a relationship with and have a life that way. Because of Parkinson's, I had to change: How can I be of service here? Is there something unique to my situation that I can use to help people? I did not have the wherewithal to invent that. It just happened in front of me and had me join in.
It took me a long time to understand not to get caught up in other people's expectations. It really comes down to creative fulfillment. It took me a while to realize I don't want to just be on a show to be on a show.
Jesus was short on sermons, long on conversations; short on answers, long on questions; short on abstraction and propositions, long on stories and parables; short on telling you what to think, long on challenging you to think for yourself.
We live in a time of short attention spans and long stories. The short attention spans are seen as inevitable, the consequence of living our lives in thrall to flickering streams of information. The long stories are the surprise, as is the persistence of the audience for them.
It must be a good thing to die conscious of having performed some real good, and to know that by this work one will live, at least in the memory of some, and will have left a good example to those that come after. A work that is good-it may not be eternal, but the thought expressed in it is, and the work itself will certainly remain in existence for a long, long time; and if afterwards others arise, they can do no better than follow in the footsteps of such predecessors and do their work in the same way.
As to my writing short pieces, there are two reasons I can give you. The first is my invincible laziness. The second is that I've always been fond of short stories, and it always took me some trouble to get through a novel.
I honestly thought we wouldn't hold the U.S. Senate. I thought we'd come up short and I didn't think President Donald Trump had a chance of winning. Given my expectations, doubly exciting because I thought we'd come up short on the Senate. We had a lot of exposure. That was really something. But it never occurred to me that he might be able to win as well.
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