A Quote by Jess Row

White Americans have the option of not having to think about race on a daily basis. People of color don't. Race is a major deciding factor in their lives and the histories of their families.
People approach people of color with preconceived ideas. I don't think this is just restricted to white people, but I think that lots of black and white artists, when race is a subject matter, they put race or the ideology around race first. They don't see the person and the complications of the human being.
White writers in many cases choose not to populate their fiction with people of color. A lot of what I'm doing is trying to write against that, not about race but against the avoidance of race that's such a dominant model in white literary discourse.
White Americans can go a long time without ever thinking about the color of their skin. Black and brown Americans have no choice but to confront issues of race every day.
White people have basically been encouraged for most of recent history in America to think of themselves as outside of race. White people do have race. They need to understand how their race has been constructed as artificially as everybody else's.
When people talked about O.J. Simpson being race-neutral, that was a race card. It just meant we don't think of him as black. But race-neutral is just like flesh-tone Band-aids. It's not neutral; it's white.
The question 'Why white kids love hip-hop?' forces us immediately to deal with the historical weight of race in America. On the surface people see hip-hop and race as nothing new. I think the ways young white Americans are engaging hip-hop suggest something more.
These people yapped loudly of race, of race consciousness, of race pride, and yet suppressed its most delightful manifestations, love of color, joy of rhythmic motion, naive, spontaneous laughter. Harmony, radiance, and simplicity, all the essentials of spiritual beauty in the race they had marked for destructions.
I think if people genuinely want to help ... that'll shine through, no matter what color or what race. We cannot see race before compassion.
People of color, particularly African Americans, feel the stigma more keenly. In a race-conscious society, some don't want to be perceived as having yet another deficit.
We believe as much in the purity of race as we think they do... We believe also that the white race of South Africa should be the predominating race.
I think it is difficult to achieve a meaningful political coalition if you have race-based programs that divide members of the coalition. The problem I have, however, is that white people assume an either/or position: Either we have race-based programs or we don't. What I see is comprehensive social reform that includes race-based and race-neutral programs.
A new space race has begun, and most Americans are not even aware of it. This race is not [about] political prestige or military power. This new race involves the whole human species in a contest against time.
I don’t believe it is possible to transcend race in this country. Race is a factor in this society. The legacy of Jim Crow and slavery has not gone away. It is not an accident that African-Americans experience high crime rates, are poor, and have less wealth. It is a direct result of our racial history.
The whole basis of working in black and white and grays became the basis of my understanding of color, because it's all about tone, it's all about light and dark. If you don't get that, then your color work is going to be a mess. So that's the beginning of the toolkit: drawing and black and white media.
Baseball is a game of race, creed, and color. The race is to first base. The creed is the rules of the game. The color? Well, the home team wears white uniforms, and the visiting team wears gray.
I wanted to separate color from race. Distinguishing color - light, black, in-between - as the marker for race is really an error.
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