A Quote by Jess Walter

Because I'm a novelist, I think in terms of structure. The way I keep going is through structure. It's what inspires me and pushes me through. — © Jess Walter
Because I'm a novelist, I think in terms of structure. The way I keep going is through structure. It's what inspires me and pushes me through.
I think photography is so hard. To be working in video and photography the past 20 years - because I was doing it in high school - you're dealing with mediums that change culture. The way they are distributed, disseminated - it's changed so dramatically. One of the things I always like to do is look at the structure of something and detach myself from the structure and figure out how to slightly alter it. So if the structure itself is constantly liquidated, it just really is difficult for me to really even know what to think of Instagram.
I began photographing around 14; my mother gave me a camera, it's actually the one I still use for creating most of my work. My career has evolved from literally figuring out how to formally structure a photograph, to going through graduate school and trying to formally structure my thoughts. A sort of gradual learning, then unlearning.
I find it hard to write with writers sometimes because of their way of writing. Some are heavily focused on structure, but I have more of a 'Let's go with it' mindset. I like to be creative, and when I hear something that inspires me, I'll come up with a melody, a lyric to that melody, and take it from there. I try to keep it open.
I am talking and really talking on this very entrenched power structure, and what we're doing is we're talking about the power structure, we're talking about its entrenchment. As a result, the media is going through what they have to go through to.
Improv is what helped me overcome the anxiety that I was feeling sometimes. It's the thing that pushes me to be present, and to keep moving through all of the what-ifs that go through my mind.
What's interesting to me is that in terms of people who I feel are getting what my game is about - and here I'm not even talking about what the elements of the story mean, like, whatever symbolism and metaphors and things are in there. But even the structure of the game, like, there's a fundamental structure and reasons in the way things are laid out, and parts of the game that are meant to draw people's attention to certain things, regardless of what's contained in that structure. And what's interesting to me is that some people get that, and some people don't.
I would never be essentialist about sexuality and structure, but I do think there's a way in which this male-arc has been talked about as the only structure, and kind of a stand-in for even the word structure, instead of looking at other forms.
People define gay cinema solely by content: if there are gay characters in it, it’s a gay film... Heterosexuality to me is a structure as much as it is a content. It is an imposed structure that goes along with the patriarchal, dominant structure that constrains and defines society. If homosexuality is the opposite or the counter-sexual activity to that, then what kind of a structure would it be?
The human psyche creates structure. We all go through our lives like, 'Oh! And then I moved here.' We're pattern-seeking, structure-producing machines.
The opportunity to live and experience life inspires me. Watching others not take it for granted inspires me. Using time to create something timeless through creativity and proactivity inspires me.
Look at your hand. Its structure does not match the structure of assertions, the structure of facts. Your hand is continuous. Assertions and facts are discontinuous.... You lift your index finger half an inch; it passes through a million facts. Look at the way your hand goes on and on, while the clock ticks, and the sun moves a little further across the sky.
I do think that's one of the reasons that acting appealed to me so much: the idea of letting go of control in a controlled environment. Being able to go through the range of intense emotions and jump off the cliff, metaphorically, but in a creative way, and in a way where the structure was really solid.
I think about the structure, sure. I think about what's going to happen, and how it's going to happen, and the pace. But I think if I stop to think about it in an abstract sense, I feel very daunted. I just try to enter into the story and feel my way through it. It's a very murky, intuitive way of going about it.
I was unwilling to - without getting too philosophical about it - I was unwilling to structure my spirituality in the way that the church wanted me to structure it.
When you think you're going through hell, keep going. The only way out, keep going. If you're going through hell you've got to keep going. You can't stop or that's where you're gonna end up.
It's possible to get through life without a religious structure, but I don't think that's a very fruitful way to live.
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