A Quote by Jess Walter
I don't know that any writing comes easily, but I certainly get more immersed in novels. I don't think the routine is any different, but fiction tends to pull me further away from my life. When I'm deep in a novel, I don't pay bills and I walk around in one shoe, drinking two-day old coffee, and calling my kids by the wrong names.
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I don't have a very routine life; the kids' activities, our nightly routines, and morning routines are about as routine as it gets. In the middle of it all - other than my morning coffee, toast, and trying to get 7-8 hours of sleep a night - each day is different.
If I'm writing a novel, I'll probably get up in the morning, do email, perhaps blog, deal with emergencies, and then be off novel-writing around 1.00pm and stop around 6.00pm. And I'll be writing in longhand, a safe distance from my computer. If I'm not writing a novel, there is no schedule, and scripts and introductions and whatnot can find themselves being written at any time and on anything.
We all live in an ongoing series of calamities. I don't know of any individual who doesn't have a series of calamities. Life doesn't operate where, you make a certain amount of money, you pay your bills, you move on from day-to-day-to-day. No! What happens is, you make your money, you pay your bills, and then a new bill comes up that's completely unexpected.
I think that I had read so much fiction that the craft itself sort of sank into me. I didn't read any 'how to' books or attend any popular-fiction-writing classes or have a critique group. For many years into my writing, I didn't even know another author. For me, a lot of reading was the best teacher.
Not that I have any little kids running around I need to keep away from the guns. I had any kids I'd get rid of the guns. Nothing more dangerous to the life of a child than a house full of firearms. Nothing more dangerous except maybe a parent.
There's no really other way to learn writing than by writing. So accelerate that as much as you can. The more you write, the better you'll get. What also helps, though, is walking away from broken stuff. Not everything's going to work. Killing two years of your life trying to resuscitate a dying novel, I don't know. Why not just write a different one? You'll have more ideas. You can't help having ideas.
I tend to be more of a novel writer. In fact, some of my novels started out as short stories, and I just got carried away! I think some of my best writing is in the short story form, but novels come more naturally to me.
If I write a paragraph and I don't get a certain lift from it, if I don't feel connected to it emotionally, then it's dead to me. When I'm reading other fiction writers, if I don't get any emotional investment from the writer, if it's just intellectual or clever - you know, most writing that passes as deep is just clever - I don't feel any connection.
Now you mustn't think that I don't have any ideas for novels in my head. I've got ideas for ten novels in my head. But with every idea I have, I already foresee the wrong novels I would write, because I also have critical ideas in my head; I've got a full theory of the perfect novel, and that's what stumps me.
Writing doesn't come easily to anyone, I think, certainly not to me. But pressure and practice does lend a certain fluency, I think - the more sentences you write, the more sentences you have written, if that slightly Zen confection makes any sense.
One of the main reasons people get bullied, in any walk of life, is because they are different. So I think that to throw kids in at the deep end when they are young is a good thing. It gets them used to other people and some of the things they will face. It takes them out of their comfort zone.
I was on my own, living in Los Angeles, and I didn't know my way around, so I thought I'd walk everywhere. Well, that certainly got me noticed. Any woman who walks any distance at all is automatically regarded as a hooker!
There is nothing else than now. There is neither yesterday, certainly, nor is there any tomorrow. How old must you be before you know that? There is only now, and if now is only two days, then two days is your life and everything in it will be in proportion. This is how you live a life in two days. And if you stop complaining and asking for what you never will get, you will have a good life. A good life is not measured by any biblical span.
At conventions, one of the standard questions I get is, 'Are you writing any new novels?' To which I used to respond, in my smart-[alec] fashion, 'No, I've decided to write only old novels.'
Everything was leveled, there were no extremes of joy or sorrow any more but only habit, routine, ancient family names and rites and customs, slow careful old people moving cautiously around furniture that had sat in the same positions for fifty years.
Don't forget you're alive. 'Cause sometimes when you walk around the city and you're in a bad mood, you can think, hey, wait a minute, we're alive! We don't know what the next second will bring and what a fantastic thing this is. This can get easily forgotten in the routine of life, and that's something I'm trying to bring to my attention at all times. Don't forget you're alive. We're not dead, you know. This is the greatest thing.
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