A Quote by Jess Walter

Without sounding overly sentimental about the process, I'd say trying to describe how you tend to conceive of a book is like describing how you tend to fall in love.
Do you know how writers often say the characters take over... But that is more or less what it always feels like to me, too. Even though that's just a way of describing how your brain is working, it's still what you tend to feel.
How does one know if she has forgiven? You tend to feel sorrow over the circumstance instead of rage, you tend to feel sorry for the person rather than angry with him. You tend to have nothing left to say about it all.
Many writers hate the shilling process, and I understand that. However, it's really the only thing about the publication process you can somewhat control. You can't affect reviews. But you can try to find your book an audience. One of the problems with the book publishing industry is that their publicity efforts tend to be spent on people who already read, and know how to discover, literary fiction.
The ocean is the only alien and potentially hostile environment on the planet into which we tend to venture without thinking about the animals that live there, how they behave, how they support themselves, and how they perceive us. I know of no one who would set off into the jungles of Malaysia armed only with a bathing suit, a tube of suntan cream, and a book, and yet that's precisely how we approach the oceans.
I kept thinking about how ironic it is how people who live in places where there is diversity tend to love it - and the people that don't live in particularly diverse places tend to be the ones attacking it. In a way, that's similar to music, which is essentially the art of bringing things together.
I have a direct way of speaking. What I do is tend to lay out everything; I tend to tell people what I'm going to do and how I'm going to do it and what is success for us and what's not... without being too parochial about it, I think Aussies are more direct.
I think women tend to write about how violence feels, whereas men tend to write about what violence looks like.
I tend to sort of dive into things without worrying about risk or anything. Like, when I get an idea, I tend to just go for it and see what happens.
Children's book writers tend to feel quite superior, and adult writers tend to feel they wouldn't know how to write a children's book - which might surprise you because I think a lot of people think it's the other way around.
I have friends who are writers, but we don't tend to talk about literature very much. It's just not part of my process; I tend to be pretty secretive about what I'm working on.
But successful investors tend to be not too self-destructive. They tend to be patient, they tend not to follow the crowd, and they tend not to be too guilty about winning.
Without sounding overly pompous about it, I don't really trust certainty in anything, actually. Especially as I get older. Except love. I'm certain of love, I guess.
We grew apart. The thing is, we loved each other, and on some level we always will, but when you’re twenty-three and you fall in love, you tend to think that love will supercede any problems. Realizing that no matter how much you love somebody, no matter how desperately you want a relationship to work, life can act as an oxidizer and corrode it to pieces.
What do I mean when I say 'suspended animation'? It is the process by which animals de-animate, appear dead and then can wake up again without being harmed. OK, so here is the sort of big idea: If you look out at nature, you find that as you tend to see suspended animation, you tend to see immortality.
People tend to judge a book by its cover. I love being unexpected and gaining respect for who I am and not how I look.
I like to use my voice as an instrument and just play along with the music. That's really how I tend to my voice. The content usually comes after or during that process of just trying to be an instrument.
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