A Quote by Jessalyn Gilsig

I remember before I did 'Boston Public,' I couldn't get seen for drama. Once I'd done 'Boston Public,' I couldn't get seen for a comedy. — © Jessalyn Gilsig
I remember before I did 'Boston Public,' I couldn't get seen for drama. Once I'd done 'Boston Public,' I couldn't get seen for a comedy.
In Boston where community policing is so important, they don't necessarily have to like each other, but they know each other. The cops in Boston make it their business to get out of their vehicles, to engage the public, to walk around the neighborhoods. They live in the community that they police. And I think these things help.
I can tell you that I can always recognize a Boston song, even if it's in a noisy place. I can hear that it's Boston even before I know what song it is. If a Boston song comes on in a club or somewhere, I notice that it's Boston, and the second thing I notice is what song it is.
I didn't realize Boston was so easy to get around. In my head, I imagined Boston being this really sprawling city.
It's always nice to get out there and kind of put Boston College on the map, because we're not one of those schools that is seen nationally by everybody.
I'm from Boston, and I get easily overwhelmed in New York, so I go to Boston and stay with my parents for a few months at a time to write, or edit, or just to cry.
Boston is the cream of the crop of the marathon world. It has such history that you feel such honor just being a part of it. All the other races have pacers to get you to a Boston qualifying time.
Im from Boston, and I get easily overwhelmed in New York, so I go to Boston and stay with my parents for a few months at a time to write, or edit, or just to cry.
In a way it was like washing your laundry in public and, yep, there you go, you've seen my underwear. And now I feel like there's nothing left, you've seen it all and I can get on.
Boston didn't always have the best reputation, nor did I, growing up in Boston, as a kid with challenges and obstacles in front of me.
I started freelancing for Serious Eats while I was still living in Boston. I was born there, grew up in New York City, but went back to Boston for school, and then I lived in Boston for about ten years.
There was a time when I was wondering about this business of going public, so I visited about a half-dozen companies in the Boston area, all of them formed by MIT faculty and all had gone public.
It's partly true that I am not seen that often in public. Well, I'm just socially awkward, especially around people I'm not familiar with. But once you get to know me, I'm quite a chatterbox.
I had written a book called "Boston Boy" some years ago, and that took me from the time I could speak, I guess, in Boston through the time when I finally left to come to New York. One was understanding and coping with anti-Semitism. Boston, at the time, was the most anti-Semitic city in the country. And I found out when I was an adolescent that you have to be crazy to go out after dark all by yourself; you'd get your head bashed in.
I try not to blame the public, because the public - men, especially - have seen not great portrayals of women in supporting roles, because they're not given the lead roles a lot of the time. Especially in comedy, they're relegated to the adversary, which is like "the mean girlfriend."
Don't get me wrong: politicians have been lying for a long time, long before Donald Trump was born, but the degree of just nonstop rage, grievance, prevarication, I haven't seen, probably because we haven't had a direct line from a politician's id to the public before.
Part of it has to do with this business of being approached in public. I have a distinctive look - it's partly the glasses I wear - and people seem to remember me once they've seen me.
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