A Quote by Jesse Eisenberg
When you take on a role you try to do as much as possible beforehand to get your mind into it. Just to prepare because it's a daunting prospect to go six months or whatever.
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It would take six months to get to Mars if you go there slowly, with optimal energy cost. Then it would take eighteen months for the planets to realign. Then it would take six months to get back, though I can see getting the travel time down to three months pretty quickly if America has the will.
I always say to every actor, and to people that want to get into this industry, to just try to be on set as much as you can, try to go to acting class, and try to work on your craft because there's nothing that can prepare you, like just when you get thrown onto a set and you've got to work.
Today the patent office is obsolete. You just take whatever you do, tool up, and start production for six months. At the end of the six months you put the data on all the computer inputs all over the world and you got your business. You can make all your money, and then people can steal it, but by then it doesn't matter because you've made the money up front and you avoid wasting money in lawsuits. [My father] had all these kinds of ideas years ahead of others.
I would love to be in the position where the role is challenging enough that I need three months to prepare for it and then six months to live the life of character.
How much courage does it take to fire up your tractor and plow under a crop you spent six or seven years growing? How much courage to go on and do that after you've spent all that time finding out how to prepare the soil and when to plant and how much to water and when to reap? How much to just say, "I have to quit these peas. Peas are no good for me, I better try corn or beans.
There's no way of telling why you want to do things beforehand. Something just grabs you. It might not grab you six months later, and it might not have grabbed you six months before, but at that particular moment it grabs you, so you jump on it.
I just tried to make as many plays as possible to try and show them how hard I work and how hard I prepare and that I am willing to do whatever it takes to win football games and to accept whatever role they want me to be in. I think that has helped me throughout my career.
There are times when your mind isn't ready to go but your body is, and times when your body is ready to go but your mind isn't. You try to get the two in sync as much as possible.
I am courageous at the decisive moment. But I need a good deal of start-up time, and I try to take as much as possible into consideration beforehand.
Within months after reading the novel 'The Hunger Games,' I went from telling my mom that I could see myself as this character to actually getting the role. My mother reminds me that if I could manifest such an important role just because I wanted it so much, all of my dreams are possible.
I recommend for people, if this is the first time they're going to see an eclipse, don't get bogged down in trying to take pictures of it, because you'll spend much too much time fiddling around with cameras. Unless you've got the strength to just take a quick snapshot and let it go at that and not mess with the camera. Try to drink it in with your eyes and enjoy it.
If you find common subjects or interests with a prospect, you can establish a business friendship. Ask about a diploma or picture. Your prospect will be glad to talk about what he/she just did or likes to do. Try to captivate him or her in intelligent conversation with engaging questions about their interests. It's obviously better if you're versed in the subject, because that's where rapport is established. Get the prospect to talk about their passions and what makes them happy.
I try to do a lot of research beforehand so I know where I want to go with a scene. I try not to get too stressed about it, because I find that's the worst thing
I try to do a lot of research beforehand so I know where I want to go with a scene. I try not to get too stressed about it, because I find that's the worst thing.
What you do during the offseason is, first, build a base. That takes about three weeks, and then you try to get as strong as you can before you go to spring training. Once you get there, you taper down and it's just a maintenance program for the next six or seven months.
I like to prepare as much as possible beforehand, but there's definitely that element of fear when you're on set, and you have to be conscious of it and use that fear to drive you to work harder.
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